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| album = ''[[The Downward Spiral (halo)|The Downward Spiral]]''
| length = 3:22
| BPM = 70
| versions =A Warm Place<br>A Warm Place (Instrumental)<br>A Warm Place (Natural Born Killers edit)<br>A Warm Place (Illum Tangendo)
| live = [[Wave Goodbye Tour]]<br>[[Tension 2013 Tour]]<br>[[NIN + QOTSA Tour]] through [[NIN 2014 Latin America Tour]]<br>[[Cold And Black And Infinite Tour]]}}'''"A Warm Place"''' is the tenth track on ''[[The Downward Spiral (halo)|The Downward Spiral]].''
'''"A Warm Place"''' is the tenth track on ''[[The Downward Spiral (halo)|The Downward Spiral]].'' ===Interpretation"Crystal Japan" resemblance==="A Warm Place" can be regarded as the turning point of the album. It is the only instrumental, discounting the practically inaudible spoken words at the beginning. Its tranquil and soothing nature highly contrasts with the other tracks on the album, which all contain loud and angry parts. The previous track, "[[Big Man With A GunTrent Reznor]]," is arguably has been accused of ripping off the most chaotic on the album. The narrator asserts his power and domination over samples of tortured screams. The last instance theme of "A Warm Place" from [[nothing can stop me nowDavid Bowie]]'s 1980 single " in the album is shouted, and this is perhaps his last straw (no pun intended). At just over a minute and a half, "Big Man With A Gun" suddenly collapses, and "A Warm PlaceCrystal Japan" starts immediately. The narrator has begun a drastic change in point of view. He experiences a moment of clarity to truly consider his situation in a way unhindered by intoxicants, or perhaps enhanced by them. Backed by the melancholy piano tune, he realizes who he has become and what he has done. He had known subconsciously before, and he had voiced the varying attributes did state that Bowie's album ''Low'' (the title of "[[The Becoming]]" being the most obvious example1977), but he had not yet come to grips with the real consequences of his character and actions, which differ from the extreme views he had expressed previously. "Warm" contrasts with biggest influence in the cold, indifferent quality making of machines''The Downward Spiral, which are sampled throughout the album''[http://9inchnails. This "warm place" relates to the womb or to the rise in body temperature during intercourse, where life beginscom/articles/articlesWith the breathing straw sounds at the end of "A Warm Place," it segues into the next song, "[[Eraserphp?id=7]],though ''Low'' does not contain " which begins as an instrumentalCrystal Japan. The straw sounds possess " Some have claimed that what is heard is deceiving; that from a sort musical theory point of nasty textureview, designating a change in tone. The heavy percussion beats permeate throughout: this is there exist significant differences between the rhythm required by his train structures of thoughtthe two melodies. As more sound layers are added, ====David Bowie Interview====Reznor himself recognised the narrator becomes increasingly disturbed by what he had realized accidental musical similarity in "A Warm Place". He begins an inner-battle on the only consequences that matter nowinterview with David Bowie: what he should do next. He denies certain arguments and favours others, evident by the periodic addition of more layers of mocking guitars. Briefly, the instrumental calms down a bit, and he lists the obvious in minimalistic terms ("[''verb''] mehttp://www.youtube.. [''verb''com/watch?v=y0RQCT69y5s&feature=player_embedded] you"). At the end, he has chosen a strongly desire for an end to the dilemma ("kill me"). A remix of "Eraser" being called "Eraser (denial; realization)" could be evidence of this.
<blockquote>'''Trent Reznor''': "A Warm Place" There was one point when we were doing the record that I came up with this melody and "Eraser" may be considered two acts to one songI thought, 'this is really good, with the former being critical ' and necessary that I couldn't have written it myself. So I played it for the latter[[Flood]] and he said 'that's really good,' and I said 'that's gotta be somebody else's song.'
==="Crystal Japan" resemblance===[[Trent Reznor]] has been accused of ripping off the theme of "A Warm Place" from [['''David Bowie]]''': It's 1980 single "Crystal from a gin advert I did in Japan". He did state that Bowie!<br>'''s album Trent Reznor''Low': So I played it for a couple other people and said, ' (1977) had the biggest influence in the making of I think this is something off ''The Downward Spiral,Low''[http://9inchnails, this just sounds familiar...com/articles/articlesI don't know what it is.php?id=7] though ' So we did it, record's out, & one day I was talking on the phone and I got ''LowScary Monsters'' does not contain "Crystal Japan, which came out on Rykodisc finally." Some have claimed And so I put that what is heard is deceiving; on and it's got bonus tracks at the end. And I'm listening and this song comes on that from a musical theory point of view, there exist significant differences between to my horror, it's the structures of the two melodiessame...'Crystal Japan'."</blockquote>
===Song Credits===
*Production: [[Flood]] and Trent Reznor
*Mixing Engineer: [[Alan Moulder]]
===A Warm Place (Instrumental)===
Released by Reznor via his [[remix.nin.com ]] account, this version is identical to the album version, except it does not contain the bits of "Eraser" fading in at the end.
===A Warm Place (Natural Born Killers edit)===
'''''Running Time: 2:58'''''
 
This version is essentially the same as the album version, but is shorter. Also, the straw sounds that lead into "Eraser" have been edited out. In the movie itself, the song served as a backdrop to the showdown between Mickey Knox and Jack Scagnetti after the first part of the prison riot scene.
===A Warm Place (Illum Tangendo)===
'''''Running Time: 3:14''''' This is the original version of the song, but features new vocals and lyrics by Stella Katsoudas (aka [[wp:Stella Soleil|Stella Soleil]]), the lead singer and main force behind Sister Soleil, added on top. The song track was put together in 1999 for uploaded by Reznor to remix.nin.com, where the description stated: "Reportedly scrapped from the soundtrack to for the film movie ''Stigmata'' but was not included, allegedly due Stella began giving this out to fans a quarrel between Reznor and Billy Corgan, who produced the soundtrack. Previously, the song had never been officially released, although Katsoudas has used it in some ballet performances, causing the track to subsequently surface on torrent websitesfew years ago. More recently, the track has been uploaded to [[remix.nin.com]] by Reznor and " It is currently available for downloadfrom the Sister Soleil Bandcamp profile. Its title means "touching him" in Latin. The added lyrics are:
Water rolls down the skin like tiny beads
Eyes close so that they might see
This moon is making someone cry
Illum tangendo
 
Stella Soleil on the track:
<blockquote>Originally, I wanted to sign a record deal with Nothing Records, which was owned by Trent Reznor and his ex-manager John Malm. I wanted to do this because, I was a huge NIN fan, but most importantly because I wanted Trent to produce my record. John Malm told my manager at the time, "Trent Reznor will never work with Sister Soleil. Stella is too pop for him." I was devastated. When I signed with Universal Records, Trent's manager had come out to Chicago, invited especially so that Universal could try to convince him to re-consider. Again, I was told I was too 'pop' for Trent. I did something really stupid and risky then. I took the instrumental track of "a warm place" on the actual release of 'A Downward Spiral' and brought it to Chicago Trax Recording studios and dumped it into pro-tools. I had written lyrics and melody to it, and i just, really wanted to see if it would work. I didn't want anything to jeopardize the possibility of this working (for instance, if my lyrics really were "too pop"), so i broke the words up into a kind of code, pronouncing the wrong syllables, etc. I had been listening to a lot of Hildengard Von Bingen's "A Feather on the Breath of God". A lyric that had stuck with me, on that recording, was "illum tangendo' which is a very old form of Latin for the phrase "touching Him". Without permission, I recorded vocals on top of Trent's release. I didnt play it for anyone, until Bud Carr (the music supervisor for the Stigmata soundtrack) called me asking for submissions for the movie he was working on. I think I just wanted somebody to acknowledge that, working with Trent, could still happen (even though, everyone, was telling me to forget it. i could not forget it.) I submitted 5 tracks to Bud. Ofcourse, he called me enthusiastic about 1 track, "a warm place'. I got scared. I explained that I did not get permission to do this, it was only a kind of test for myself, it was stupid, etc....Bud insisted that he would get it to Trent and he would like it. I got a phone call about a week later, from John Malm saying that Trent wanted to speak to me. It did not sound good. I instantly regretted trying to go around him. About another week after that, Trent called me, and I remember spilling an entire gallon of milk on myself and the hardwood floors in my friend's apartment as I braced for what could have been, and rightfully so, a very bad response. He said "I'm usually an asshole about people trying to use my music, but I was pleasantly suprised when I heard this. Did you want to come to New Orleans to re-cut this?". I spent about 4 days at his studios. I met a really cool guy named "rave" that engineered this version. Trent produced it. I had a blast. I stayed at the famous Pontchatrain Hotel, which sadly, I think, was washed away with Katrina. I cried when I left, but not until I was out of sight. It was a kind of victory and a dream, all rolled into one. A couple years ago, someone told me that he posted it onto his remix site on nin.com. Now that was the coolest thing ever. I think he talks a little about what happened to the track there.</blockquote>
==Live==
"A Warm Place" made its live debut on [[2009/08/23 New York, NY|August 23, 2009]], at Webster Hall in New York City. Much of the song's live incarnation consists of pre-recorded samples, such as the constant tremolo guitar that runs throughout, while the band members man keyboards to recreate some of the other melodies. The song was also performed at the Hollywood Palladium nine days later on [[2009/09/02 Los Angeles, CA|September 2, 2009]].
 
The song was performed in a special remixed version during the [[NIN 2013-2014]] touring cycle. [[Alessandro Cortini]] confirmed the unnamed live remix on twitter. More soft and synthetic, it was played with nobody on stage except sometimes Cortini. This was done in a similar way again during the [[Cold And Black And Infinite Tour]], with [[Atticus Ross]] also playing.
==Sample==
A barely audible message is heard layered under the track in the very beginning of the song (repeating approximately 6 times.): The words were long rumored to be "the best thing about life Is is knowing you put it together" but this has been resigned to little more than an urban legend.
==External Links==
*[http://sistersoleil1.bandcamp.com/track/illum-tangendo-produced-by-trent-reznor Stella Soleil version]
*[http://twitter.com/blindoldfreak/status/800758967202783232 Tweet about the 2013 live version]
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