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And All That Could Have Been (halo) (view source)
Revision as of 21:26, 11 February 2024
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[[Image:Aatchb_streamer.jpg|thumb|Teaser ad showing the original release date]]
[[Image:Halo17_alt_titles.jpg|thumb|From David Carson's book ''Trek''. This image shows alternate titles that were considered for Halo 17.]]
'''''And All That Could Have Been''''' (also known as '''''[[Halo numbers|Halo 17]]''''') is a [[Nine Inch Nails]] live album and film from the [[Fragility 2.0]] tour of 2000. It was released on CD, DVD and VHS on January 22, 2002. Its original release date was originally planned for November of 2000.[https://www.theninhotline.com/news/permalink/967607520] It was then slated for December 11, 2001, as shown on various teaser ads running in the months leading up to its eventual release. A promotional website (now defunct) for the release was set up at [[andallthatcouldhavebeen.com]].
==Track Listing==
#"Hurt" - 4:31
The DVD release also features an alternate camera angle (wide shot from soundboard) for "Gave Up", "La Mer", "The Great Below" and "The Mark Has Been Made" on the first disc; a photo gallery and a commentary on stage setup visuals by Bill Viola on the second disc; and morphing menus on both discs. The menus are also accompanied by several different dark ambient music pieces recorded specifically for them.
It was released in 2 separate audio versions: while stereo sound is the same on both editions, 5.1 surround sound differs - one encoded in DTS and another in Dolby Digital (the latter is more common); this difference is generally indicated by a sticker on front of the package or the back of the slipcase where either a Dolby or DTS logo is present in the lower left hand corner.
The album, named after "[[And All That Could Have Been (song)|And All That Could Have Been]]" from ''[[Still]]'', went through many possible names, all lyric excerpts from'' [[The Fragile (halo)|The Fragile]]''[http://www.flickr.com/photos/10729782@N03/4637750807/in/set-72157624007552825/].
The film was directed and edited by [[Rob Sheridan]] and the entire project was done in-house. The NIN camp purchased several Canon XL1 mini-DV cameras to film each night of the tour from multiple positions, and the material in the final cut was taken from multiple shows and edited together to seem like one performance. While the video footage comes from the entire tour, the audio was taken from only four or five shows. The video was edited with Final Cut Pro and the audio was mixed with Digidesign Pro Tools.[http://theninhotline.net/archives/articles/manager/display_article.php?id=145]. This approach was groundbreaking for its time, producing a completely DIY, yet professional-quality product by harnessing the newest available consumer-level technology. The overall ''And All That Could Have Been'' release was dedicated to the memory of Rodney Robertson, a close friend and employee of Reznor's who was murdered in 2001. Reznor was too deep in his addictions to attend Robertson's funeral, and he saw this as the impetus to fully get clean and sober.[https://www.spin.com/2013/08/nine-inch-nails-trent-reznor-cover-story-spin-2005/]
==Album Credits==
Trent Reznor thanks: My family, John, Chris, Jerry and Denise for trying to help me keep it together<br>
Danny Lohner thanks: Lynn Pompey, the Lohners, [[Telefon Tel Aviv]], Eric Hunter<br>
Jerome Dillon thanks: Sheila Scott, Jeannine Dillon, Thomas J. Dillon, Karen dillonDillon, Paula and Matthew Coulter, Linda Yang, Zoe Poledouris and the Poledouris family, Eugene Salomon Esq., Mona and Ruby<br>
Charlie Clouser thanks: Dad, Mom, Judy, Jeff Light, Kenny MacPherson, Andrew Meyer, and Danie'l Parker<br>
*Surround Mixing: Jon Lemon and Trent Reznor at Nothing Studios
*Surround Audio Consultant: Ed Churney
*Surround Installation, Nothing Studios: Paul Cox, Steve "Coco" Brandon, [[Brian Pollack]]
*Mastering and Authoring: Gateway Mastering