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[[Image:Bad_Witch_Cover.jpg|thumb|200px|Halo 32: ''Bad Witch''<br />[https://amzn.to/2rzrvFn Find on Amazon] - [http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=9&pub=5574848848&toolid=10001&campid=5336384580&customid=&icep_uq=nine+inch+nails+bad+witch&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg Find on eBay]]][[Image:Bad_witch_cover_alternate.jpeg|thumb|200px|Alternate Cover]]

'''''Bad Witch''''' (also known as '''''[[Halo numbers|Halo 32]]''''') will be was released on June 22, 2018 on Capitol Records. This album acts as the third installment of a '''[[The Trilogy|trilogy]]''' by [[Nine Inch Nails]], following the 2016 release of ''[[Not The Actual Events]]'' and the 2017 release of ''[[Add Violence]]''. The album leaked on June 18, 2018.

Like the two previous releases, ''Bad Witch'' will be is available as a 12" vinyl, a digital download and as a CD. Despite the fact that ''Not The Actual Events'' and ''Add Violence'' were marketed as EPs, ''Bad Witch'' is marketed as an album. In a post on [[ETS]], [[Trent Reznor]] explained the decision behind the format change by stating that "EPs show up with singles in Spotify and other streaming services = they get lost easier. EPs feel less important in today’s music-isn’t-as-important-as-it-once-was world. Why make it easier to ignore?"

''Bad Witch'' was officially announced on May 10, 2018. The official [[nin.com]] website description states:"CONCLUSION. SHADOWS ON THE CAVE WALL." This is likely a reference to Plato's allegory of the cave.[https://en.wikipedia.org/wiki/Allegory_of_the_cave]

On May 19, 2018, at "The Physical World" ticket presale, an exclusive listening station was made available for those in attendance. It gave fans the opportunity to hear the songs "Ahead Of Ourselves" and "Play The Goddamned Part" before the album's release. The album makes use of saxophone on several tracks, more than any previous NIN recording. This is explained in an interview with ''Entertainment Weekly''[http://ew.com/music/2018/06/20/trent-reznor-bad-witch-interview/], where the interviewer compares the use of sax to that on [[David Bowie]]'s ''Blackstar'': <blockquote>Clearly, Bowie is front of mind, and that was certainly an influence. In terms of the precision of arrangement, I think back to [being] younger, reading about Psychedelic Furs as a bunch of students that all picked instruments and learned enough to make a record. As someone that had studied his ass off how to play an instrument, I thought, "CONCLUSIONYou can do that?" Some people worried about technique or if it’s in tune, or if it’s played well. [For ''Bad Witch'', I thought] let’s just use it and add to the mayhem and message we are trying to convey. All this time [the sax] had been just sitting in my studio staring at me. SHADOWS ON THE CAVE WALLTaunting me."</blockquote> ==LP Title==Unlike the two preceding EPs, the title of ''Bad Witch'' is not derived from a lyric sung or printed in the album’s digital or liner notes. A definitive explanation of the title is yet to be revealed.

In an interview with Zane Lowe==Artwork==[[httpImage://itunesBad_Witch_Back_Cover.applejpg|thumb|''Bad Witch'' back cover]][[Image:Despair.com/us/post/sa.24db9a20-59e3-11e8-8359-8a5db8dbb4ce?app=music&ign-itsct=be1_con_zan&ign-itscg=10703jpeg|thumb|"Despair" by Perham Nahl]], Reznor somewhat explained the concept underlying each piece of the trilogy:<blockquote>The "Let me drop some cryptic information on you. The idea of this three EP thing was all to find truth scratch marks" seen in us figuring out who we are now and how we fit into the world. The first EP, ''Not The Actual Events'', was meant to be from a personal angry self-destructive reflection on that question and defining how I feel ''Add Violence'' cover artworks appear in a world, that feels stranger, part different form on the right border of that’s aging. Part the back cover of that’s because the world is getting weirder. Finding your place in a world that looks different every day little bit changes and reacting to that in the first EP through anger and self-destruction and setting a match to your lifethis album.

The second EPAn alternate front cover was found, ''Add Violence''depicting different hues and contrasts on all five boxes, was meant to the same question. But looking for answers externally. Maybe it’s because of this and there’s comfort in that. Maybe there’s as well as a reason things feel kind of crazy different hand and it’s not that I’m insane, that I’m in a situation that’s insane.<br>And with the third EP which has grown into an LP (''Bad Witch'')different computer chip. It was coming to one final look at that question from rejecting what EP number two says, and it wasn’t an easy answer… The entire system has a much more bleak and pessimistic outlook and I want to say too much because it gives away kind of the what the thing is. But it wasn’t necessarily what we thought it was going to be when we started. I thought it was going to go more science fiction. I don’t really want to overwhelm you with cleverness and deep diving and part of that felt like an arms race and it also felt like alternate cover appeared on a cop outCaroline Records promo CD."</blockquote>

In another interviewThe middle bottom row image is adapted from a painting entitled "Despair" by Perham Nahl.[https://archive.org/details/artincalifornias00port/page/n175/mode/2up] The computer chip, within the fifth box, Reznor explains appears to be an image of the trilogy’s concept in detail[https://en.wikipedia.org/wiki/Intel_4004 Intel 4004 CPU].

<blockquote>"The first record, Not the Actual Events, was more of In an internal fantasy of what if I lit a match to my life and just embraced burning the whole fucking thing down[https://www. You know? All of this is an illusion and I really should be dead or lying in a ditch somewhererollingstone. Who I really am is an addict that selfcom/music/music-news/nine-inch-nails-atticus-ross-talks-stage-fright-destructs. That’s my true nature and this is an illusion and some borrowed time. It wasn’t a pleasant thing-trent-reznors-musical-genius-702117/ interview] with ''Rolling Stone'', but it felt like, that’s Atticus commented: "There's a story to tell. And if felt like something I needed to internally process.<br>With the second one, Add Violence, the idea was, loosely, to zoom out, to be more global and to imply that maybe we’re all in a simulated reality. And that might introduce the concept primitive aspect or reflection of meaninglessness but also provide a safe container to explain why everything feels off. <br>By the time who we got to the third one, we had an idea are in mind but it felt … rehearsedthese times on there. Predictable. In the end, what felt true was to say that we as a society and as a species are probably an accident, a mutation. Really what It seems like we are is fucking animals've been led. And the illusion was enlightenment. The more we’ve connected with each other the dumber we’ve gotten and the more I think we decide we want to kill each other. We’re not some elevated transcendent beings, we’re bacteria implied that in a jar. I wanted the art direction of Bad Witch to feel like cover, staring at shadows on a cave the wall and we’re trying to figure out what it is and really there’s no nice, clean, safe scientific explanation. We’re just an accident. String theory and quantum physics is a fucking trick. And we’re not going to suddenly elevate ourselves into transcendent beings. We’re kidding ourselves. I know this will be an unsatisfying conclusion for some people. It isn’t what they want. They want it to be full matrix virtual reality, and this is the opposite of that, this is dirt and a broken computer chip and everything you believe in is really just bullshit."</blockquote>

On May 19*Written, 2018arranged, at "The Physical World" ticket presaleproduced, an exclusive listening station was made available for those in attendance. It gave fans the opportunity to hear the songs programmed and performed by Trent Reznor and Atticus Ross<br> *Additional vocals "Ahead Of OurselvesShit Mirror" : [[Mariqueen Maandig Reznor]] and "Play The Goddamned Part" before the album's release.Ian Astbury<br> *Mix: [[Alan Moulder]]*Engineering: Chris Richardson and Justin McGrath*Mastering: Tom Baker at Baker Mastering<br>

==LP Title==*Art Direction: 12:01- Office of Hassan RahimUnlike the two preceding EPs*Legal: Zia Modabber for Katten Munchin Rosenman LLP, the title of "Bad Witch" is not derived from a lyric sung or printed in the album’s digital or liner notes. A definitive explanation of the title is yet to be revealedRoss Rosen for Ross B.Rosen & Associates, LLC*Management: Silva Artist Management*Booking: Marc Geiger for WME*Business Management: William Harper and Michael Walsh for Gelfand, Rennert & Feldman<br>

==Artwork==[[ImageThank you:Bad_Witch_Back_Cover.jpg|thumb|''Bad Witch'' back cover]]The "scratch marks" seen in the ''Not The Actual Events'' and ''Add Violence'' cover artworks appear in a different form on the right border of the back cover of this album. Mariqueen Maandig Reznor, Claudia Sarne, Steve Barnett, Michelle Jubelirer, Ashley Newton, Ambrosia Healy, Arjun Pulijal, Erin Cooney, Ed Scott, Jim Chancellor, Andrew Lazonby, Cesar Rosas<br>

An alternate front cover was found, depicting different hues © 2018 Form and contrasts on all five boxesTexture (ASCAP) / Administered by Kobalt Songs Music Publishing, as well as a different hand and a different computer chip.Songs In the Key of Mink (BMI) / Administered by Downtown DMP Songs

==Live==All songs from ''Bad Witch'' have been played live except "Play The computer chip, within the fifth box, appears to be an image of the [https://en.wikipedia.org/wiki/Intel_4004 Intel 4004 CPU]Goddamned Part" and "I'm Not From This World".

|after=TBD[[Ghosts V: Together]]}}