Difference between revisions of "Sin (song)"

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| album =''[[Pretty Hate Machine]]''
 
| album =''[[Pretty Hate Machine]]''
 
| length =4:06
 
| length =4:06
 +
| BPM = 129
 
| versions =Sin <br> Sin (Long) <br> Sin (Dub) <br> Sin (Short) <br> Sin (''[[And All That Could Have Been (halo)|And All That Could Have Been]]'')
 
| versions =Sin <br> Sin (Long) <br> Sin (Dub) <br> Sin (Short) <br> Sin (''[[And All That Could Have Been (halo)|And All That Could Have Been]]'')
| live =[["Pretty Hate Machine" Promotional Tour]] through [[Wave Goodbye Tour]]
+
| live =[["Pretty Hate Machine" Promotional Tour]]<br> through [[Wave Goodbye Tour]]<br>[[Cold And Black And Infinite Tour]]
}}'''"Sin"''' is the seventh track on the 1989 release ''[[Pretty Hate Machine]].'' Obviously, this song is about sex, visceral desires, lust and guilt. Remixes were featured on the ''[[Sin (halo)|Sin]]'' single along with a B-side (a cover of Queen's "[[Get Down, Make Love]]"). The song is often amped up when played live and included at the beginning of setlists.
+
}}'''"Sin"''' is the seventh track on the 1989 release ''[[Pretty Hate Machine]].'' Remixes were featured on the ''[[Sin (halo)|Sin]]'' single along with a B-side (a cover of Queen's "[[Get Down, Make Love]]"). The song is often amped up when played live, usually featured at the beginning of setlists.
 +
 
 +
The "sha" samples used at the beginning and end of the song appear to be from "Paid In Full" by Erik B & Rakim, though they may also have sampled the same source. The line "Stale incense, old sweat, and lies, lies, lies" is a direct quote of Clive Barker from his short story "In the Hills, the Cities" from ''Books Of Blood'', in which he uses it to describe old European churches.
  
 
===Song Credits===
 
===Song Credits===
*Production: [[Trent Reznor]], [[John Fryer]]
+
*Production: [[Trent Reznor]], John Fryer
*Remix: [[Keith LeBlanc]]
+
*Remix: Keith LeBlanc
*Engineering: John Fryer, Keith LeBlanc, [[Kennan Keating]], [[Ken Quartarone]]
+
*Engineering: John Fryer, Keith LeBlanc, Kennan Keating, Ken Quartarone
 
*Mix: Keith LeBlanc, Trent Reznor
 
*Mix: Keith LeBlanc, Trent Reznor
  
Line 29: Line 32:
 
==Versions==
 
==Versions==
 
===Sin===
 
===Sin===
This is the original album version from ''Pretty Hate Machine.'' The loud cry from the end of "[[Kinda I Want To]]" segues into the track as the hisses jump back and forth between the left and right audio channels, stereo panning being a prominent feature of the track. The song itself is very beat driven with much synthesized layering and uses the lyrics as the melody for most of the song, lacking any real "lead" parts. It's also notable for its unique sample of a loud whistle, the origin of which is unknown.
+
This is the original album version from ''Pretty Hate Machine.'' The loud cry from the end of "[[Kinda I Want To]]" segues into the track as the hisses jump back and forth between the left and right audio channels, stereo panning being a prominent feature of the track. The song itself is very beat driven with much synthesized layering and uses the lyrics as the melody for most of the song, lacking any real "lead" parts. It's also notable for its unique sample of a loud whistling, which is most likely a sped up sample of a saxophone.
  
 
===Sin (Dub)===
 
===Sin (Dub)===
 +
'''''Running Time: 5:00'''''
 +
 
This remix is almost completely stripped of lyrics, save for the words "sin," "control," and "lies" scattered throughout the track.
 
This remix is almost completely stripped of lyrics, save for the words "sin," "control," and "lies" scattered throughout the track.
 
====Song Credits====
 
====Song Credits====
*Remix: Adrian Sherwood, Keith LeBlanc
+
*Remix: [[Adrian Sherwood]], Keith LeBlanc
  
 
===Sin (Long)===
 
===Sin (Long)===
At nearly six minutes long, this remix has extended instrumentals including a massively extended outro composed of what sounds like wind or running water and muted synthetic chimes.
+
'''''Running Time: 5:51'''''
 +
 
 +
This remix has extended instrumentals including a massively extended outro composed of what sounds like wind or running water and muted synthetic chimes.
 
====Song Credits====
 
====Song Credits====
 
*Remix: Adrian Sherwood, Keith LeBlanc
 
*Remix: Adrian Sherwood, Keith LeBlanc
  
 
===Sin (Short)===
 
===Sin (Short)===
 +
'''''Running Time: 4:19'''''
 +
 
This remix incorporates some of the elements of the "Long" and "Dub" remixes, but it has a more drawn-out outro. This version is used in the music video.
 
This remix incorporates some of the elements of the "Long" and "Dub" remixes, but it has a more drawn-out outro. This version is used in the music video.
 
====Song Credits====
 
====Song Credits====
Line 50: Line 59:
  
 
==Live==
 
==Live==
The song's intro seems to be performed differently by every NIN keyboardist. For example, [[Danny Lohner]] in the [[Woodstock '94]] performance is seen playing an additional melody to the intro. [[Charlie Clouser]] in ''And All That Could Have Been'' uses a theremin before the guitar intro is played, while [[Alessandro Cortini]]'s performance of the intro is a tad closer to the original. Other than that, the rest of the song is performed closely to the album version in most live performances, though when [[Jeordie White]] played the song, he played the main beat on bass rather than the keyboards.
+
The song's intro seems to be performed differently by every NIN keyboardist. For example, [[Danny Lohner]] in the [[Woodstock '94]] performance is seen playing an additional melody to the intro. During the [[Fragility]] tour, [[Charlie Clouser]] used a theremin before the guitar intro is played, while [[Alessandro Cortini]]'s performance of the intro is a tad closer to the original. Other than that, the rest of the song is performed closely to the album version in most live performances, though when [[Jeordie White]] played the song, he played its harmonic progression on bass guitar rather than the keyboards used in most other live arrangements.
  
 
==Music Video==
 
==Music Video==
A video was released in 1990, using the "(Short)" remix of the song. It was directed by [[Brett Turnbull]]. The video contains two women dancing with each other at the beginning before cutting to the main focus of the video. A woman, nude except for what looks like straps to spelunking gear and a halogen lamp, walking a shirtless, wrist-bound Reznor with a bag over his head through what looks like an industrial warehouse complex. He is then strapped into a large rotary harness where she spins him throughout the remainder of the video. These scenes are intercut with two young gay lovers, a man and woman wearing ritualistic dressings and dancing, as well as visuals of pierced genitalia (both male and female), all reflecting the song's dark, sexual aspects.
+
[[Image:Sinstill.jpg|thumb|Screenshot from the "Sin" video]]
 +
A [[Nine Inch Nails music videos|music video]] was released in 1990, using the "Short" remix of the song. It was directed by Brett Turnbull. The video contains two women dancing with each other at the beginning before cutting to the main focus of the video. A woman, nude except for what looks like straps to spelunking gear and a halogen lamp, walking a shirtless, wrist-bound Reznor with a bag over his head through what looks like an industrial warehouse complex. He is then strapped into a large rotary harness where she spins him throughout the remainder of the video. These scenes are intercut with two young gay lovers, a man and woman wearing ritualistic dressings and dancing, as well as visuals of pierced genitalia (both male and female), all reflecting the song's dark, sexual aspects.
  
The video was banned from MTV and most major outlets. A partial version of the video can be found on ''Closure.'' There were reports that the complete video was shown at dance clubs in the early 1990s and can now be found on the Internet.
+
The video was banned from MTV and most major outlets. A partial version of the video can be found on ''Closure.'' There were reports that the complete video was shown at dance clubs in the early 1990s and can now be found on the internet, as the full video became available through [[TVT Records|TVT]]'s website.[http://www.theninhotline.net/news/archives/backissue.php?y=01&m=11#1004906701] [http://web.archive.org/web/20020311020744/http://www.tvtrecords.com/artists/select-video.jsp?art_id=110]
 +
 
 +
===Credits===
 +
*Director: Brett Turnbull
 +
*Producer: Sarah Bayliss
 +
*Cameraman: Brett Turnbull
 +
*Editor: Brett Turnbull
  
 
==Lyrics==
 
==Lyrics==
Line 92: Line 108:
 
     Take in
 
     Take in
 
     The extent of my sin
 
     The extent of my sin
 +
 +
On the final album version, the placement of the words "defaced" and "disgraced" in the second verse is switched.
  
 
==External Links==
 
==External Links==
 
*[http://vimeo.com/3609548 "Sin" music video (incomplete; NSFW)]
 
*[http://vimeo.com/3609548 "Sin" music video (incomplete; NSFW)]
*[http://www.imeem.com/ohmygoth/video/3qnum5_0/nine-inch-nails-nine-inch-nails-sin-uncencored-music-vid/ "Sin" music video (complete; NSFW)]
+
*[http://www.youtube.com/watch?v=OJtro9VK4nQ "Sin" music video (complete; NSFW)]
 
<BR>
 
<BR>
 
{{succession box  
 
{{succession box  

Latest revision as of 21:26, 12 March 2020

"Sin"
Album: Pretty Hate Machine
Length: 4:06
Tempo: 129 BPM
Versions: Sin
Sin (Long)
Sin (Dub)
Sin (Short)
Sin (And All That Could Have Been)
Live: "Pretty Hate Machine" Promotional Tour
through Wave Goodbye Tour
Cold And Black And Infinite Tour

"Sin" is the seventh track on the 1989 release Pretty Hate Machine. Remixes were featured on the Sin single along with a B-side (a cover of Queen's "Get Down, Make Love"). The song is often amped up when played live, usually featured at the beginning of setlists.

The "sha" samples used at the beginning and end of the song appear to be from "Paid In Full" by Erik B & Rakim, though they may also have sampled the same source. The line "Stale incense, old sweat, and lies, lies, lies" is a direct quote of Clive Barker from his short story "In the Hills, the Cities" from Books Of Blood, in which he uses it to describe old European churches.

Song Credits

  • Production: Trent Reznor, John Fryer
  • Remix: Keith LeBlanc
  • Engineering: John Fryer, Keith LeBlanc, Kennan Keating, Ken Quartarone
  • Mix: Keith LeBlanc, Trent Reznor

Appearances

Halos

Seeds

Other

Versions

Sin

This is the original album version from Pretty Hate Machine. The loud cry from the end of "Kinda I Want To" segues into the track as the hisses jump back and forth between the left and right audio channels, stereo panning being a prominent feature of the track. The song itself is very beat driven with much synthesized layering and uses the lyrics as the melody for most of the song, lacking any real "lead" parts. It's also notable for its unique sample of a loud whistling, which is most likely a sped up sample of a saxophone.

Sin (Dub)

Running Time: 5:00

This remix is almost completely stripped of lyrics, save for the words "sin," "control," and "lies" scattered throughout the track.

Song Credits

Sin (Long)

Running Time: 5:51

This remix has extended instrumentals including a massively extended outro composed of what sounds like wind or running water and muted synthetic chimes.

Song Credits

  • Remix: Adrian Sherwood, Keith LeBlanc

Sin (Short)

Running Time: 4:19

This remix incorporates some of the elements of the "Long" and "Dub" remixes, but it has a more drawn-out outro. This version is used in the music video.

Song Credits

  • Remix: Adrian Sherwood, Keith LeBlanc

Sin (And All That Could Have Been)

This live version features a theremin solo during the introduction and live drums, otherwise remaining close to the studio arrangement on Pretty Hate Machine.

Live

The song's intro seems to be performed differently by every NIN keyboardist. For example, Danny Lohner in the Woodstock '94 performance is seen playing an additional melody to the intro. During the Fragility tour, Charlie Clouser used a theremin before the guitar intro is played, while Alessandro Cortini's performance of the intro is a tad closer to the original. Other than that, the rest of the song is performed closely to the album version in most live performances, though when Jeordie White played the song, he played its harmonic progression on bass guitar rather than the keyboards used in most other live arrangements.

Music Video

Screenshot from the "Sin" video

A music video was released in 1990, using the "Short" remix of the song. It was directed by Brett Turnbull. The video contains two women dancing with each other at the beginning before cutting to the main focus of the video. A woman, nude except for what looks like straps to spelunking gear and a halogen lamp, walking a shirtless, wrist-bound Reznor with a bag over his head through what looks like an industrial warehouse complex. He is then strapped into a large rotary harness where she spins him throughout the remainder of the video. These scenes are intercut with two young gay lovers, a man and woman wearing ritualistic dressings and dancing, as well as visuals of pierced genitalia (both male and female), all reflecting the song's dark, sexual aspects.

The video was banned from MTV and most major outlets. A partial version of the video can be found on Closure. There were reports that the complete video was shown at dance clubs in the early 1990s and can now be found on the internet, as the full video became available through TVT's website.[1] [2]

Credits

  • Director: Brett Turnbull
  • Producer: Sarah Bayliss
  • Cameraman: Brett Turnbull
  • Editor: Brett Turnbull

Lyrics

    You give me the reason                        
    You give me control
    I gave you my Purity
    My Purity you stole
    Did you think I wouldn't recognize this compromise?
    Am I just too stupid to realize?
    Stale incense, old sweat and lies, lies, lies
    
    It comes down to this
    Your kiss
    Your fist
    And your strain
    It gets under my skin
    Within
    Take in
    The extent of my sin
    
    You give me the anger
    You give me the nerve
    Carry out my sentence
    I get what I deserve
    I'm just an effigy to be defaced
    To be disgraced
    Your need for me has been replaced
    And if I can't have everything well then just give me a taste
    
    It comes down to this
    Your kiss
    Your fist
    And your strain
    It gets under my skin
    Within
    Take in
    The extent of my sin

On the final album version, the placement of the words "defaced" and "disgraced" in the second verse is switched.

External Links


Previous track - "Kinda I Want To" Track 7 from Pretty Hate Machine Next track - "That's What I Get"
This page was last modified on 12 March 2020, at 21:26. This page has been accessed 122,076 times.