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<blockquote>"The studio was equipped with a 56-input Amek Mozart console with Rupert Neve modules, two Studer A800 Mk3 multitrack machines, Mac-based Pro Tools and a host of outboard gear, in addition to Akai S1100 and Kurzweil K2000 samplers; Prophet VS, Digidesign Turbosynth, ARP Odyssey, Oberheim Expander, Oberheim OBMx, Roland MKS80 and Minimoog synthesizers; Doepfer and Oberheim sequencers; a Mellotron MKIV polyphonic tape replay keyboard; a Roland R70 drum machine; and assorted Jackson and Gibson guitars."[http://www.soundonsound.com/sos/sep12/articles/classic-tracks-0912.htm]</blockquote>
 
The Mellotron MKIV used on the album (as well as on ''Broken'') once belonged to John Lennon. Contrary to popular belief, it was not used to record The Beatles' "Strawberry Fields Forever", nor is it owned by Reznor. It was on loan to him from [[Interscope Records]] co-founders Ted Field and Jimmy Iovine.
In a Q+A session before the [[2017/09/15_Chicago,_IL|2017 Riot Fest show]], it was revealed that [[David Lynch]]'s use of sound in his films was an inspiration for the sound design of ''The Downward Spiral''.
* "Closer" uses a heavily modified sample of a kick drum from the song "[[Nightclubbing]]" from ''The Idiot'' album by Iggy Pop. [http://www.9inchnails.com/articles/articles.php?id=6]
* "A Warm Place" is based on the melody from David Bowie's 1980 single "Crystal Japan." Some hear it as a complete rip-off, while others argue that from a music theory point of view that the structure has significant differences.
*The looping female voice that appears on "Reptile" (approx. 5:06) is from the 1974 film ''The Texas Chain Saw Massacre''. The strange mechanical sound before the drums start can be found in the movie ''Leviathan'' and the other sounds during all the song are found in ''Aliens'' (the escape in the vessel). Also, while not a direct sample, the ascending synth melody from 5:13 to 5:20 seems to be a reference to "Laura Palmer's Theme" from the television show ''Twin Peaks''.
==Re-Releases==
*5.1 mix: James Brown with Trent Reznor
*Assistance: Neal Ferrazzani
*Studio: [[Interscope]] Studios<br>
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*High-resolution mastering: Bob Ludwig for Gateway Mastering, Portland, Maine<br>
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