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The album features a rich array of electronic beats, ambient noise, and heavy guitar. While it received critical acclaim from many, it did not receive the commercial success that its predecessor, ''[[The Downward Spiral (halo)|The Downward Spiral]],'' did (attributed variously to the difference in musical climate, and insufficient promotion by [[Interscope Records]]).
Prior to its release, the single ''[[The Day The World Went Away (halo)|The Day The World Went Away]]'' came out on July 20; following ''The Fragile,'' ''[[We're In This Together (halo)|We're In This Together]]'' was released in three parts on December 14. A collection featuring several [[Remixes|remixes ]] and new material from ''The Fragile'' was released as ''[[Things Falling Apart]]'' on November 21, 2000. The [[Fragility 2.0]] tour was filmed and released as ''[[And All That Could Have Been (halo)|And All That Could Have Been]]'' on 2-disc DVD (both Dolby Digital and DTS versions) and VHS on January 22, 2002. It was also released as a live CD, eventually combined with a second disc of re-constructed material and new songs called ''[[Still]].''
==Track List==
===CD===
 
====Left====
#"[[Somewhat Damaged]]" - 4:31
===Cassette Release===
The track list for the double cassette releases of ''The Fragile'' follow the CD track list, save for the insertion of "[[+Appendage]]" onto the end of "Please" on US and EU copies. The first tape splits between "Just Like You Imagined" and "Even Deeper," while the second tape splits between either "Please (+ Appendage)" and "Starfuckers, Inc."(most US versions) or "Starfuckers, Inc." and "Complication" (non-US and also some US versions). ''The Fragile'' was the final NIN release to be officially issued on cassette. Subsequent albums have been issued on cassette in other countries, though they are of questionable authenticity. ==Instrumental Versions=====''The Fragile Instrumental''===[[Image:FragileInst.jpg|thumb|''The Fragile Instrumental'' Artwork]]''The Fragile Instrumental'' was made available on June 30th 2015 via Apple Music. It contained instrumentals of every track, with some also being alternate versions (see the [[Remixes#The_Fragile_Era|remixes]] page for details.) It also contained three previously unheard tracks:*"[[The March]]" (Instrumental)*"[[Hello, Everything Is Not OK]]" (Instrumental) (a demo of "10 Miles High")*"[[Can I Stay Here?]]" (Instrumental) It was released along with ''[[With Teeth (halo)|With Teeth Instrumental]]'', and is exclusive to the Apple Music platform. It is also notable that it contains the first non-cassette version of "+Appendage". "The Frail" and "Pilgrimage" were not included in the playlist posted on Apple Music, but are still available as tracks on the service. ===''[[The Fragile: Deviations 1]]''===On December 16, 2016 an expanded instrumental version of ''The Fragile'' on 180 gram vinyl was announced. Entitled ''The Fragile: Deviations 1'', it will ship in early 2017 and will contain over an hour of unreleased material.
==Early Track Sequences==
#Stained
Note that whilst "Anomaly" has been confirmed to be the working title of "[[The Way Out Is Through]]", the final titles for "Rotation" and "Stained" have not been revealed; "[[Underneath It All]]" may be the final title for the latter, based on its prominent lyrical use of the word.
==The Lost Fragile Tracks==
[[Image:Nindotcom991013.jpg|thumb|"The Lost Fragile Tracks"]]
Interestingly, the same photo also shows another CD-R featuring "Please Part 2" (presumably renamed to "Appendage" for ''The Fragile'' cassette version) and "The New Flesh."
==10th Anniversary Proposed Reissue==In a question and answer session with NIN fans, Reznor hinted at the reissue of ''The Fragile'' for early 2010, a statement repeated via the [http://twitter.com/nineinchnails/status/4157519090 official twitter account], calling it an "ultimate reissue." [[Rob Sheridan]] has since mentioned that the project is delayed due to packaging decisions, and as yet there is no new reissue release date. [[Alan Moulder]] has completed a 5.1 surround sound mix for the re-issuereissue.[http://recforums.prosoundweb.com/index.php/mv/msg/32698/502417/0/#msg_502417] In a February 2014 interview with New Zealand's ''News 3'', Reznor gave the following update: <blockquote>"Yeah, we've done a lot of the work for that. Really what it's come down to is with all the other stuff going on, the Fragile thing in particular, I want to make sure I get it right. You know, we've mixed everything in surround, it sounds amazing, we have a great package ready to go. I just stumbled across 40-or-so demos that are from that era that didn't turn into songs, that range from sound effects to full-fledge pieces of music, and I kind of feel like - something should happen with that.<br>And I think it has something to do with that package, and I just need the bandwidth to kind of calmly think about it, and decide how much effort I want to devote into that and what to do with it. I have a lot of ideas that could eat up immense amounts of time and I'm trying to weigh out - just think it through. I don't want to pull the trigger on something and go, 'Man, I should have done it in this way.' And I just haven't had a chance to be in a calm place where I can think it through completely and make that decision."[http://www.3news.co.nz/Trent-Reznor-on-40-unreleased-demos-NZ-tour-Gone-Girl-Grammys/tabid/418/articleID/332710/Default.aspx]</blockquote> ===Definitive 2017 Edition Vinyl===A vinyl reissue was annouced in December 2016, with further vinyl reissues of the other major NIN releases to follow.[http://www.nin.com/nine-inch-nails-records-reissued-vinyl/] <blockquote>"Trent Reznor and NIN art director John Crawford set out to make the “definitive editions” of all the main NIN releases on vinyl. Reznor: 'We want to present the catalog as it was intended to be, with no compromises. That means a careful remastering of the audio from the original sources, a careful and painstaking recreation of the artwork, pristine materials, some surprises and an insane attention to detail that you probably won’t notice… but it matters to us. No extra bullshit and gimmicks – the “real” records in their truest form available at a reasonable price.'<br>The first three Definitive Editions (''Broken'','' The Downward Spiral'' and ''The Fragile'') are available for preorder now in the NIN store (shipping spring ’17), with the rest to follow in ’17."</blockquote>
==Touring==
''For more information, see [[Fragility]]''
The album was supported by a tour that visited North America, Europe, Australia and Japan. The chaos of earlier tours was beginning to subside and the shows were somewhat more focused on production and good performance. During the North American portion of the tour, three tall rectangular screens were lowered mid-set for showing pieces of film. Despite the fact that [[Trent Reznor]] was in the throes of addiction during this tour, it was well-received by fans and critics alike.The [[Fragility 2.0]] tour was filmed and released as ''[[And All That Could Have Been (halo)|And All That Could Have Been]]'' on 2-disc DVD (both Dolby Digital and DTS versions) and VHS in 2002. It was also released as a live CD, at one point combined with a second disc of re-constructed material and new songs called ''[[Still]].''
==Trent Reznor on ''The Fragile''Concept and Interpretations==
Reznor described ''The Fragile'' in a 1999 interview:
</blockquote>
On ==="From Machine To Man: An Interpretation of The Fragile"===This is a lengthy interpretation of the album's story written in 2000. Read it at:* http://www.theninhotline.net/archives/articles/otherinterpretation.shtml ==Recurring themes and styles==* The piano and bassline of "La Mer" is reused for "Into The Void". The piano motif is also played at the end of "We're In This Together" at a slower tempo.* The piano in "The Frail" is repeated in the guitar solo of "The Fragile".* The descending wah guitar melody played during the intro of "We're In This Together" is similar to the wah guitar that occurs roughly halfway into "Complication".* The three note motif used in the first part of "The Great Below" is briefly quoted in the ending of "We're In This Together" two semitones down and at a slower tempo. This melody may also be used to end the guitar solo, and may be played on a background synth at the end of the first verse of "The Wretched".* "The Great Below" climax melody and bassline are reused for a quiet bridge in the leftover/outtake "[[And All That Could Have Been (song)|And All That Could Have Been]]".* A sampler keyboard pad created from Reznor's voice is used for "The Frail" and leftover/outtake "[[Leaving Hope]]".* Rapidly ascending, very chromatic guitar riffs are prominently featured in "Somewhat Damaged", "The Day The World Went Away", and "The Wretched".* Mike Garson's piano improvisations are prominently featured on "Just Like You Imagined", "The Way Out is Through", and "Ripe (With Decay)".* The lyric "underneath it all" from "The Way Out is Through" is repeated in and used to title "Underneath It All".* The lyrics "now you know/this is what it feels like" are the refrain for both "The Wretched" and leftover/outtake "[[The Great Collapse]]".* The lyric "[[Nothing Can Stop Me Now|nothing can stop me now]]" appears in "La Mer" and "We're In This Together", albeit translated into French Creole on the former and altered to "none of them can stop us now" on the latter. The same phrase was previously used in "[[Piggy]]", "[[Ruiner]]" and "[[Big Man With A Gun]]" and would recur later in "[[Sunspots]]".* The lyrics of "The Great Below" and "Underneath It All" are similarly composed, and both use the refrain "I can still feel you".* The lyric "could have been" is prominently used in "The Wretched", "The Great Below" and "And All That Could Have Been".* The mid-song verse of both "I'm Looking Forward To Joining You, Finally" and "No, You Don't" use the same lyrical meter. ==Formats==Reznor on the different track sequencing for different formats:
<blockquote>
<p>"Hello everybody. I've been doing a lot of European press lately and they've been mentioning the various configurations of 'the fragile' and wondering if there was a reason (other than to make the hard-core fan buy them all) to have some different tracks on them.
<br><br>
If you're curious, here's why. We agonized over the sequencing of the record and focused solely on the CD config. as the definitive one. After the decision was made to move to two CDs the problem then became removing tracks to get the right feel and flow.
<br><br>
Taking the new flesh' off the CD was a tough call because Alan and myself really like the track, but it destroyed the balance and it just didn't fit.
<br><br>
When we assembled the cassette, we now had four beginnings and endings to contend with instead of two of each (for the CD) follow? It worked out pretty well just dividing the songs up, but we wanted the A sides of the cassettes to be slightly longer than the B sides (so that when the tape flips over you are not in the middle of the first song on that side). We added the 'appendage' to 'please' to make that work.
<br><br>
For the vinyl, the decision to move to three discs was based on fidelity. (you can only fit so many minutes on a side of vinyl before it degrades the sound)
<br><br>
So now we are faced with SIX beginnings and endings. Simply splitting the sides up didn't work as well this time so we decided to include the other two tracks we had been considering ('10 miles high' and 'the new flesh') as well as use the full unedited versions of all the other songs on the record. The vinyl sequencing has actually grown on me lately as a viable alternate! -just thought you might want to know…"</p>
Pedals:
<br>Mutron Bi-Phase / Mutron III / Lovetone: Big Cheese / Meatball / Doppelganger / Prescription Experience / Danelectro: Daddy O/Fab Tone/Cool Cat / ZVex: Fuzz Factory/Machine / Moogerfooger Filter / Foxx Tone Machine / Sans Amp Bass Driver / Black Cat Ring Modulator / Way Huge Swollen Pickle / Electo Harmonix: Micro Synthesizer/Bass Micro Synthesizer/QTron/Big Muff Fuzz/Memory Man/Electric Mistress Flanger / Smokies / Digitech: SpaceStation/Whammy-Wah/UniFuzz/Tone Control
String Instruments:
</blockquote>
Several other designs for the album cover were also created, and images of this concept art were posted on nin.com. Many images that were used in the booklet for ''The Fragile'', as well as the artwork for its associated singles, can be found in the ''Fotografiks'' book. The cover art for ''The Fragile Instrumental'' used an uncropped and unpixelated version of the aforementioned waterfall photo.
==Bob Ezrin on Album Sequencing==
==Album Credits==
*Writing and performance: Trent Reznor (except where noted on Song pages)
*Production: Trent Reznor, [[Alan Moulder]]
*Management: [[John A. Malm, Jr.]] for Conservative
*Engineering and mix: Alan Moulder<br>
*Final continuity and flow: Bob Ezrin<br>
<br>
*Programming: [[Keith Hillebrandt]], [[Charlie Clouser]], Trent Reznor, Paul Decarli, Steve Duda, Clinton Bradley
*Second engineering: Brian Pollack
*Additional engineering: [[Leo Herrera]]. [[, Dave “Rave” Ogilvie]]
*Supplemental drum recording: Steve Albini at Electical Studio
*Additional sound design: Keith Hillebrandt, Charlie Clouser, Steve Duda
*Being there provided by Jerry Meltzer<br>
<br>
*Nine Inch Nails Live: Charlie Clouser, [[Jerome Dillon]], [[Robin Finck]], [[Danny Lohner]], Trent Reznor<br>
<br>
*Thank you for the continuing belief and support: Steve Berman, Chris Blackwell, David Cohen, Ted Field, Jimmy Iovine, Marc Marot, Jacqueline McPherson, Michael S. Toorock, Tom Whalley<br>
==External links==
*[http://vimeo.com/65825592 TV Commercial directed by David Carson]
*[http://wwwnineinchnails.tumblr.com/post/51818928436/software-screenshots-from-the-recording-of-the ''The Fragile'' software screenshots from nin.com]*[http://nineinchnails.tumblr.com/post/51370793367/the-fragile-production-journals-published-on-the ''The Fragile'' production journals from nin.com]*[http://nincatalog.com/index.asp?halo=14 the-fragile/ ''The Fragile'' at nincatalog.com]
*[http://www.nincollector.com/archive/releases/halo_14/halo14.htm ''The Fragile'' at nincollector.com]
*[http://www.disinfo.com/archive/pages/article/id1983/pg1/index.html Disinfo.com: ''A listener's guide to 'The Fragile''']
*[http://www.soundonsound.com/sos/may00/articles/alan.htm Sound On Sound: Interview with Alan Moulder with info on the making of ''The Fragile'']
*[http://itunes.apple.com/us/playlist/the-fragile-instrumental/idpl.c1edd8f6d21446efa04f1423f522e2af ''The Fragile Instrumental'' at Apple Music]
*[http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26x%3D0%26ref_%3Dnb%5Fsb%5Fnoss%26y%3D0%26field-keywords%3Dnine%2520inch%2520nails%2520the%2520fragile%26url%3Dsearch-alias%253Daps&tag=thniinnawi-20&linkCode=ur2&camp=1789&creative=390957 ''The Fragile'' at Amazon]
*[http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=9&pub=5574848848&toolid=10001&campid=5336384580&customid=&icep_uq=nine+inch+nails+the+fragile&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg ''The Fragile'' at eBay]
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