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[[Image:TSNcover.jpg|thumb|''The Social Network Soundtrack''<br>]][http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26x%3D0%26ref_%3Dnb%5Fsb%5Fnoss%26y%3D0%26field-keywords%3Dthe%2520social%2520network%2520soundtrack%26url%3Dsearch-alias%253Daps&tag=thniinnawi-20&linkCode=ur2&camp=1789&creative=390957 Find on Amazon] - [httpImage://rover.ebayTSNdefinitive.com/rover/1/711-53200-19255-0jpg|thumb|Definitive Vinyl/1?icep_ff3=9&pub=5574848848&toolid=10001&campid=5336384580&customid=&icep_uq=the+social+network+soundtrack&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg Find on eBay]Dolby Atmos artwork]]'''''The Social Network Soundtrack''''' , released on September 28, 2010, was scored by [[Trent Reznor]] and [[Atticus Ross]] for the [[David Fincher]] film ''The Social Network'', based on the popular social networking site Facebook. It was the first release from [[The Null Corporation]] to be marked with a [[Null numbers|Null number]], being Null 01.
The score garnered many awards, most notably Best Original Score at both the 2011 Academy Awards and the 2010 Golden Globe Awards. This is the first [[Soundtracks|soundtrack]] that Reznor and Ross have worked on together, and one of three several for David Fincher, along with ''[[The Girl With The Dragon Tattoo Soundtrack]]'' and the ''[[Gone Girl Soundtrack]]''.
==Tracklisting==
===CD/Blu-ray Audio===
#"[[Hand Covers Bruise]]" - 4:18
#"[[In Motion]]" - 4:56
A 5-track sampler for the album was released September 17, on The Null Corporation's homepage.
The album was released digitally on September 28, exclusively on Amazon.com, and was made available in three physical formats: CD, Blu-Ray audio , and Vinyl, ; released on October 11, 18 , and 25 , respectively. The Blu-ray contains a high-resolution 5.1 surround mix and a stereo mix. ==10th Anniversary Editions==A vinyl reissue, billed as a Definitive Edition, was announced on September 16, 2020, along with the release of the ''[[Quake Soundtrack]]'' vinyl.[https://www.nin.com/the-social-network-and-quake-vinyl-available-now//] A new surround mix in Dolby Atmos format was announced on October 2, 2020[https://www.nin.com/the-social-network-released-in-dolby-atmos-3d-audio/], and released on major streaming services. The announcement mentioned a possible physical media release of the Dolby Atmos mix on Ultra HD Blu-ray, but that never materialized.
==Trent Reznor's Statements==
It was announced that Reznor and Ross were taking part in the soundtrack on [[nin.com]] on July 1st, 2010:
<blockquote>
"I was planning on taking some time off after the continual waves of touring that ended last fall and spend this year experimenting around with what would become How To Destroy Angels and some new NIN. Well, that plan didn't work out so well. David Fincher started inquiring about my interest in scoring his upcoming film, The Social Network. Yeah, the movie about the founding of Facebook. I've always loved David's work but quite honestly I wondered what would draw him to tell that story. When I actually read the script and realized what he was up to, I said goodbye to that free time I had planned. Atticus Ross and I have been on a creative roll so I asked him if he wanted to work on this with me and we signed on.
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Speaking of the film... it's really fucking good. And dark!"
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Later, on the [http://www.nullco.com/TSN/|album's site], Reznor posted about the release:
<blockquote>
"This is what Atticus and I have been working on for the last few months. We had a great time working with David Fincher on this and the film turned out excellent - something we're very proud of. It opens in theaters Oct 1 and you should check it out.
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Musically, this all came out of our secret laboratory - electronic in basis, but mostly organic sounding. Lots of experiments and emphasis on sound fraying around the edges while focusing on the proper emotional tone for the various scenes.
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Regarding the purchase options, sorry about the "clunkiness" of not offering the full record digital download pre-sale (and having to visit Amazon). My agenda was to be able to offer this for the lowest possible price and this was the best way to achieve that. Amazon has been a great partner with past projects and I appreciate your understanding."
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- Trent Reznor, 9.16.10
==Promotion & Samplers==
On the album's official [http://www.facebook.com/TSNsoundtrack?v=wall&ref=mf Facebook page], <!-- Irony noted -->a promotion for the movie was created on September 22nd, offering fans the chance to [[Multitracks|remix]] "On We March" and "In Motion", to win a chance to meet Ross and Reznor in Los Angeles, along with a seat at the film's premiere.===Remix EP===It was also announced on the Facebook page that there The winning entries were plans for a "In Motion (A Few Enemies Rmx V2)" by Estevancarlos [https://archive.org/details/remix EP to be released, of the best of the fan remixes, -nin-com-audio-22010] and that many more multitracks would be released for the purpose"On We March (Incept/Except)" by by jcworsley [https://archive.org/details/remix-nin-com-audio-22102]. Although no official announcement was made they said they would try to veto find other opportunities for people's remixes down the idearoad, it appears that this will never come to fruitionnothing further was announced for them. [https://www.facebook.com/TSNsoundtrack/posts/156017844421221]
===Download Sampler===
===Award Sampler===
A [http[Image://wwwSocialNetworkFYC.sonypictures.com/movies/thesocialnetwork/score/ jpg|thumb|For Your Consideration cover]]A sampler] was released for consideration by awarding bodies gave a different tracklisting . It contains the eligible music score as it appears in the film, which means that the songs are edited as compared to the full album versions, and many may contain slightly different elements or takes of the music. As is typical for film scores, the cue titles to given are descriptive of the action on the commercially available screen. The corresponding soundtrack, along with song that the cue is derived from is provided in the tracklisting below. It contains one track score cue which does not appear on the previous soundtrack release:.
#'''"Main Title Sequence"''' - 3:31 - "Hand Covers Bruise"#'''"Let the Hacking Begin"''' - 3:15 - "In Motion"#'''"Cocksucker"''' - 1:40 - "It Catches Up With You"#'''"In Evidence"''' - 4:07 - "Intriguing Possibilities"#'''"Does She Have a Boyfriend?"'''' - 2:51 - "Painted Sun In Abstract"#'''"Zuckerberg Stole Our Website"''' - 0:47 - "3:14 Every Night"#'''"Family of Means"''' - 1:59 - "Pieces Form The Whole"#'''"What Are We Doing About This?"''' - 1:56 - "Hand Covers Bruise, Reprise"#'''"Bathroom Sex"''' - 3:04 - "Eventually We Find Our Way"#'''"Violation of Harvard Law"''' - 0:46 - "3:14 Every Night"#'''"Trip to N.Y."''' - 1:08 - "Penetration"#'''"[[Dinner With Sean]]"'''- 0:44#'''"Bank of America"''' - 1:19 - "Almost Home"#'''"Who's Eduardo Saverin?"''' - 0:40 - "3:14 Every Night"#'''"Fire in My Apartment"''' - 1:49 - "On We March"#'''"What Were the Shares Diluted Down to?"''' - 2:19 - "Hand Covers Bruise"#'''"Something's Happened"''' - 2:15 - "The Gentle Hum Of Anxiety"#'''"Soft Trees Break the Fall"'''- 4:34
==Artwork==
The album's art is by [[Rob Sheridan]], based upon the designs used to promote the film, mixed with Sheridan's style of image distortion.[http://twitter.com/rob_sheridan/status/24798132834][http://twitter.com/rob_sheridan/status/24798241432][http://twitter.com/rob_sheridan/status/24798316024][http://twitter.com/rob_sheridan/status/24798383840] The glitch art that was used for the sampler was originally intended for the proper cover, and was restored for the 2020 vinyl Definitive Edition.[https://twitter.com/rob_sheridan/status/1306299282228572165] Sheridan wrote on his website about the process of creating the artwork:
<blockquote>
For The Social Network soundtrack art, my goal was to walk the line between representing the film and creating something that stood as a piece of art on its own, much as the soundtrack itself does.
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For the cover, I needed to represent the branding of the film, but neither Trent nor I wanted the photo of Jesse Eisenberg to be the cover as directly as it was in the film's poster. By blurring out the photo and placing the title text over Eisenberg's eyes, I was able to create a cover that evoked the film's branding while distancing itself from it at the same time. The style of fonts used in the film and its marketing were something Trent and I both really liked, so we preserved that for the soundtrack.
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For the internal art, Sony gave me a batch of publicity stills from the film to utilize if I wanted. By their nature none of them were particularly artistic, and I wasn't sure how useful they'd be for the artwork. Trent expressed an interest in creating a package that could stand on its own whether or not listeners had seen the film. Given that we conceded a bit on the album cover, he said "let's make the inside packaging weird."
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An early idea I had was to digitally corrupt the images we had from the film, combining a "glitch art" visual aesthetic I've always been interested in with a metaphor for digital images shared on Facebook, the corruption they're susceptible to, and the corruption portrayed in the film. This idea resonated with Trent, so I began experimenting with different ways to destroy the publicity stills Sony had sent me.
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Whereas in previous projects (especially With Teeth and Year Zero) I'd used careful manual processes to create digital glitches, this time I actually destroyed images by opening them up in a text editor and adding/removing text to their raw code.
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It was a very experimental, trial-and-error process - I tried different file types, different rendering methods (for example, damaged Photoshop files render much more interestingly in OSX's Preview than in Photoshop itself), and different types of text injected into the image files (I grabbed random paragraphs of text from around the web - ridiculous fan-fiction sites were a fun source). The results are what you see below - these images were distorted through manual editing of the image files in a text editor, not through intricate Photoshop work. [http://rob-sheridan.com/TSN/]
</blockquote>
*[http://trashaudio.com/2010/11/the-music-and-sound-design-of-the-social-network/ Panel discussion on the audio]
*[http://nincatalog.com/trent-reznor-and-atticus-ross/ Trent Reznor and Atticus Ross category at nincatalog.com]
*[http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26x%3D0%26ref_%3Dnb%5Fsb%5Fnoss%26y%3D0%26field-keywords%3Dthe3Dreznor%2520ross%2520social%2520network%2520soundtrack%26url%3Dsearch-alias%253Daps&tag=thniinnawi-20&linkCode=ur2&camp=1789&creative=390957 ''The Social Network Soundtrack'' at Amazon] *[http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=9&pub=5574848848&toolid=10001&campid=5336384580&customid=&icep_uq=thereznor+ross+social+network+soundtrack&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg ''The Social Network Soundtrack'' at eBay]
[[Category:Soundtracks]][[Category:Related to NIN]]
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