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| instruments = Vocals, guitarGuitar, keyboardsKeyboards, bassEverything, small percussionAnything

Reznor was born and raised in the western Pennsylvania town of Mercer in a Lutheran household (although Reznor now states that he believes in God, but has no actual religion). Because he has the same first name as his father, he was called by his middle name to avoid confusion. In late 1970, soon after the birth of his little sister, Tera, Reznor's father left and his parents divorced. He and his infant sister were Reznor was sent to live with their his maternal grandparents, primarily because it would have been too difficult for while his infant sister stayed with their mother to raise them by herself. Reznor's grandmother decided that the 5-year-old should take classical piano lessons. Over the years he became immersed in music and has been compared to Harry Connick, Jr. by his piano teacher.

Reznor graduated from high school in 1983 and went on to study production computer engineering at Allegheny College. He began dating [[The Becoming#Annie|Andrea Mulrain]] while at college. It was around this time that he joined his first "real" band, [[Option 30]]. They became popular in the college scene in western Pennsylvania and eastern Ohio but Reznor clearly wanted to get out and see more. After a year in college, Reznor dropped out of school and left Option 30. He was offered a job as a salesperson at a specialty keyboard and pro audio shop, Pi Keyboards and Audio, moving to in Clevelandand moved there. Once While working there, he worked met Bart Koster, who was building a few odd jobsnew recording studio, selling music instruments Right Track Studios. Koster was impressed with Reznor's skills and also working offered him a job as a studio technician at Right Track Studiobefore he even moved into the building. [https://www.thefader. It was in com/2013/09/23/nine-inch-nails-oral-history-interview] In Cleveland that he met roommate and future bandmate , Reznor also reconnected with [[Chris Vrenna]], whom he had met in 1985 when Vrenna bought a piece of gear from him. The day jobs helped Reznor pay the bills but, like in Pennsylvania, he became active in Cleveland's music scene.

Reznor's first band in Cleveland was a cover band called [[The Urge]]. This band drew crowds and Reznor got some recognition. When he left the band months later they lost much of their audience. In March 1985, he joined [[The Innocent]] as a keyboardist, but left the band after about five months. Reznor briefly re-joined The Urge before parting ways again shortly thereafter. In 1986 Later in 1985, he joined the [[Exotic Birds]] as a keyboardist and back-up vocalist with [[Andy Kubiszewski]] (who would later join [[Stabbing Westward]]) and, at one a later point, Vrenna. During this time Reznor also met [[John A. Malm, Jr.]], who was doing promotion for the band. The Exotic Birds received some national attention after playing a few gigs with the Culture Club, but Reznor's tenure with them would not lastleft the band in 1987. [https://casetext. com/case/reznor-v-j-artist-management] This was followed by keyboardist positions in [[The InnocentSlam Bamboo]], and [[Lucky Pierre]]. Reznor was also briefly part of [[Kollaps]] during these years, and alongside [[Slam BambooRichard Patrick]]. But all the while, Reznor wanted to be able to do his own music and be his own musician.

In 1988, Reznor was finally able to write his first "real" song. It was entitled "[[Down in It (song)|Down In It]]" and was recorded as part of a demo during Reznor's spare time at the studio. After trying to come up with a name for his solo project(an early contender was The Crown Of Thorns[http://www.theninhotline.net/archives/articles/manager/display_article.php?id=6183]), he settled on the name Nine Inch Nails (NIN for short) because "it sounded menacing, it was catchy, it stood the two-week test, and it could be easily abbreviated." He later befriended [[John A. Malm, Jr.]], who would become his manager for 15 years. The demo (known Ministry frontman Al Jourgensen has also been quoted as saying that the name comes from a review of Ministry's '[[Purest Feeling (halo)|Purest Feeling]]'Twitch'') , wherein the reviewer stated that listening to the second half of the album was shopped like having a nine-inch nail driven into your head.[https://www.laweekly.com/ministrys-al-jourgensen-is-a-national-treasure/] Malm had been informally managing and supporting Reznor during this period, and helped him shop around the demo to various record labels. Ultimately [[TVT Records]], known for its TV music compilations, signed Reznor and offered to help him release his music.

It would be the mud-soaked [[1994/08/13 Saugerties, NY|Woodstock '94]] performance that would thrust Reznor into the national consciousness. Broadcast on Pay-Per-View, the visceral performace performance would make Reznor a superstar among the many bands and musicians who were active at the time. However, the sudden national fame and recognition only accelerated Reznor's increasing problems.

By the end of the touring cycle (known as the [[Self Destruct Touring Cycle|Self-Destruct]] tour), Reznor was miserable. He had sunk into addiction, and pressure from the label to begin work on a follow-up to ''The Downward Spiral'' took its toll. He stepped back for a little while and took time to sort things out. In 1997, Reznor collaborated with [[David Lynch]] on the soundtrack for ''[[Lost Highway Soundtrack|Lost Highway]]'', which resulted in a new standalone Nine Inch Nails single, ''[[The Perfect Drug (halo)|The Perfect Drug]]''. A home video package entitled ''[[Closure]]'' was also released that year, compiling tour footage from 1994-1995 as well as most of the [[Nine Inch Nails music videos|music videos]] that had been made up to that point. These releases helped to appease fans during the long wait for the next album.

Touring began shortly after the album's release. The [[Fragility]] tour would last a total of 8 months and travel the world. During the US tour, Reznor rekindled his friendship with [[Brian Warner]], frontman for the band Marilyn Manson, which had soured in 1997 following the release of the ''[[Lost Highway Soundtrack]].'' Initially Manson was offered the producer position but Reznor ultimately got it. The friendship was revived in part because of changes in popular music.

In summer of 2002, [[Rick Rubin]] called Reznor in regard to country music legend [[Johnny Cash]] recording a cover of the song "[[Hurt (song)|Hurt]]." Reznor was honored and okayed the recording since Rubin has done great work with Cash, and it wasn't very likely that "Hurt" would make the cut. In November 2002 Reznor received a CD containing Cash's cover and wasn't sure what to think of it. About four months later he received a DVD containing a music video for the song. Reznor was flattered, honored, and moved to tears by the results.

In At a June 2003meeting with Malm to discuss their joint business affairs, Malm presented Reznor with some startling news about his assets. It was revealed learned for the first time from the accountant that he didn't have as much money as he thought he didhad advanced millions of dollars more to the joint companies (which were operating at a loss) than Malm had, with no realistic expectation of those funds being repaid. In September, having concluded that Malm had "run [his net worth estimated to be somewhere between US$400,000 and $3] finances into the ground",000,000. Malm also presented Reznor with a bill asking hired an outside business management firm for US$3the first time,000and based on their findings,000 fired Malm in payment. Shocked by this, Reznor looked back at the contracts he had signed with Malm and found some errorsDecember. Malm sued to collect on the money he claimed he was owed. Reznor countered, claiming that Malm had been holding back earningsin April 2004 for $2. Both suits were combined into one lawsuit by a federal judge 2 million in 2004unpaid commissions, naming and Reznor as the plaintiff, with the case going to trial in countersued for breach of fiduciary duty and fraud. A New York City jury trial in 2005. found Malm was firedliable for breach of fiduciary duty, fraud, conversion, and breach of contract, and awarded Reznor a total of $4.62 million in damages and interest. Reznor signed with manager Jim Guerinot at Rebel Waltz. As a result, Nothing Records folded in 2004, being absorbed into Nothing's parent company, [[Interscope Records]].

Initially, the plan was to create a concept album called ''Bleedthrough.'' As the recording process progressed, the concept was scrapped and became ''[[With Teeth (halo)|With Teeth]],'' a more song-oriented rock album. It was recorded at Reznor's New Orleans studio, and it would be the last music to be recorded there. Reznor has since later relocated to Los Angeles, partly to be closer to those in the music industry, but also as a way to avoid a temptation that could send him into another relapse. During the production process, Reznor invited [[Dave Grohl]] to play drums on some of the songs, at Dillon's suggestion. Recording was delayed for a few days that September when the city was evacuated due to Hurricane Ivan, which took a more easterly track at the last minute. Production ended in late 2004, and post-production began in early 2005.

Hurricane Katrina struck New Orleans on August 28, 2005. Reznor was at first concerned about his studio there, but initially it seemed like the city was spared from the storm. The next day, when the city's levee and pump system failed, Reznor was devastated. In the following days, his sadness became anger at the lack of response to the disaster, as he became even more vocal about his disdain with the US government. He was invited to perform on ReactNOW!ReAct Now, a telethon organized by Viacom with proceeds going to the American Red Cross to help those affected by the storm. Reznor performed "Hurt" with Cash's lyrical change, and premiered a new song, "[[Non-Entity]]," an internet-exclusive performance that would later be made into an MP3 file available for purchase. Proceeds from the MP3 went to the American Red Cross. Reznor decided that guitars used on the upcoming concerts would be sold on eBay with proceeds going to the Red Cross. It was one of many nonprofits that Reznor would go on to publicly support. In January 2006, he joined People for the Ethical Treatment of Animals' (PETA's) campaign against the Chinese fur industry, narrating a video documenting the abuse of cats and dogs used in that nation's fur trade. In February 2006 Reznor revealed that he had adopted a retired racing greyhound, emphasizing animal adoption and rescue.

''Year Zero'' was released on April 17, 2007, and debuted at the Number 2 position on the ''Billboard'' charts. Much of 2007 was spent touring outside of North America in support of the album, with only one US date. When the [[Performance 2007]] tour ended, Reznor returned to Los Angeles to finish working with hip-hop artist/author/actor [[Saul Williams]] on ''[[The Inevitable Rise And Liberation Of NiggyTardust!]].'' On October 8, 2007, Reznor announced that he was no longer under contract with Interscope, allowing him to be able to distribute any future Nine Inch Nails and solo work in whatever form he desired. He also expressed his belief that being free from contract would enable him to have more direct contact with his fanbase and get his material to them in a more efficient and cost-effective manner. Interscope can still release a greatest-hits collection and is rumored to be compiling both that and a music-video retrospective. Reznor has expressed interest in helping with both of these proposed releases.

As of April 2008On October 8, ''Year Zero'' has sold 4802007,000 copiesReznor announced that he was no longer under contract with Interscope, giving allowing him to be able to distribute any future Nine Inch Nails and solo work in whatever form he desired. He also expressed his belief that being free from contract would enable him to have more direct contact with his fanbase and get his material to them in a more efficient and cost-effective manner. Interscope can still release a greatest-hits collection and is rumored to be compiling both that and a music-video retrospective. Reznor a gross return has expressed interest in helping with both of about US$960,000these proposed releases.

Shortly after ''Ghosts I–IV'' was released, Reznor revealed that he was working on yet another "secret project." On May 5, 2008, the project was revealed to be yet another new album. ''[[The Slip]]'' was released online in the early morning hours as a free download at NIN.com as a way for Reznor to show appreciation to his fanbase for their dedication. A CD/DVD of the album was released on July 22, 2008, limited to 250,000 units worldwide, followed by a [[Lights In The Sky Tour|concert tour ]] to promote it and the rest of the NIN catalog. In 2009 Reznor announced the end of Nine Inch Nails as a touring entity, citing a feeling of monotony and routine. Following what was then the final Nine Inch Nails show in September of 2009, he stepped away from music for a little while, emerging at the end of the year to announce that he was to begin work on some projects for 2010. ===Branching Out===In February 2010 Reznor began work on an EP for a new project called [[How To Destroy Angels]], featuring himself, longtime collaborator [[Atticus Ross]], and [[Mariqueen Maandig]], a singer formerly of psychedelic band West Indian Girl. How To Destroy Angels released their self-titled EP for free on June 1, 2010, with a physical release available on July 6, 2010. That same year, [[David Fincher]] asked Reznor and Ross to compose the score for his film ''[[The Social Network Soundtrack|The Social Network]],'' documenting the rise of Facebook. The score and film were released in fall of 2010. Both were met with much praise and accolades including a Golden Globe win and an Academy Award for Reznor and Ross. On January 7, 2011, Reznor announced that he would once again be collaborating with Fincher by composing the soundtrack to the US film adaptation of the bestselling novel ''[[The Girl With The Dragon Tattoo Soundtrack|The Girl With The Dragon Tattoo]].'' The film was released in theaters in December of 2011. The new foray into film scoring was a logical extension of what Reznor had previously done with ''[[Quake]]'' and production work on the soundtracks for ''[[Natural Born Killers Soundtrack|Natural Born Killers]]'' and ''Lost Highway''. In 2012, Reznor continued his work with How To Destroy Angels, releasing another EP and recording the long-awaited debut album, ''[[Welcome Oblivion (album)|Welcome Oblivion]]'', which was released on March 5, 2013. The album was supported by a brief [[How To Destroy Angels Live 2013|tour]]. ===NIN Returns===In early 2013, Reznor had announced that Nine Inch Nails would be touring again, despite having done a [[Wave Goodbye Tour|farewell tour]] in 2009. Several months later, he revealed that a new album entitled ''[[Hesitation Marks]]'' had been secretly recorded over the course of a year and that he had signed to [[Columbia Records]]. He cited his work with film scores and How To Destroy Angels as the source of his revitalized interest in a new direction for NIN. The album was released on September 3, 2013 and was acclaimed by both fans and critics, many of them coming to view it as Reznor's best work since ''The Fragile''. It incorporated more atmospheric and layered sound than had been customary in recent works. Reznor stated that the album was a thematic sequel to ''The Downward Spiral'', being something of a belated epilogue to that album's story and showing the life arc of its protagonist. The [[NIN 2013-2014|world tour]] that supported the album was the most ambitious one yet, picking up where 2008's Lights In The Sky tour had left off. Each leg had a different look and feel, and the band lineup was at one point the largest one Reznor had ever assembled. As always, cutting edge technology and dazzling displays of light and motion made for a memorable concert experience. On January 21, 2014, the [[Beats Music]] streaming service went live, with Reznor serving as Chief Creative Officer. On the same day, it was also announced that Reznor and Ross were doing the score for David Fincher's ''[[Gone Girl Soundtrack|Gone Girl]]''. The album was released digitally on September 30, 2014 and the film opened on October 2. Beats Music was eventually acquired by Apple and absorbed into the Apple Music streaming service. In 2016, Ross became a full-fledged member of Nine Inch Nails and a host of other score music from Reznor and Ross was announced. In June, the pair released a [[Juno|standalone track]] for a short film about NASA's Juno Mission. This was followed by the ''[[Before The Flood Soundtrack]]'' (a collaboration with Mogwai and Gustavo Santaolalla) and the ''[[Patriots Day Soundtrack]]''. Delivering on a promise made in 2015 for new music from NIN the following year, the ''[[Not The Actual Events]]'' EP was officially released on December 23, 2016. In 2017, it was revealed that ''Not The Actual Events'' was the first in a [[The Trilogy|trilogy]] of related releases and the second installment, ''[[Add Violence]]'', was released on July 21. Reznor and Ross scores for ''[[The Vietnam War Original Score|The Vietnam War]]'' as well as the short film ''[[The Black Ghiandola]]'' followed. ===Cold And Black And Infinite... and beyond===The third installment of the aforementioned trilogy, ''[[Bad Witch]]'', was released on June 22, 2018. The trilogy was supported with the [[NIN 2017-2018]] touring cycle, including a back-to-basics trek with [[The Jesus and Mary Chain]] (named the [[Cold And Black And Infinite Tour]]) that saw the live debuts of "[[And All That Could Have Been (song)|And All That Could Have Been]]" and "[[The Perfect Drug (song)|The Perfect Drug]]". That year also saw a partial Reznor and Ross score for ''[[Mid90s (Original Music From The Motion Picture)|Mid90s]]''. The following year saw a flurry of activity from Reznor and Ross, with scores for ''[[Bird Box Original Score|Bird Box]]'' (including an extended box set version), ''[[Waves (Original Score)|Waves]]'' and HBO's ''[[Watchmen (Music From The HBO Series)|Watchmen]]'' series. Scores for ''[[Soul (Original Score)|Soul]]'', and David Fincher's ''[[Mank (Original Musical Score)|Mank]]'' were released in 2020. In late 2019, it was revealed that Reznor and Ross had completed an avant-garde score for ''[[Unreleased_projects#The_Woman_In_The_Window_score|The Woman In The Window]]'' but that it had been scrapped due to a change in the film's direction. On March 26, 2020, two more volumes of the ''[[Ghosts]]'' series (''[[Ghosts V: Together]]'' and ''[[Ghosts VI: Locusts]]'') were released in the wake of the COVID-19 pandemic. On November 7, 2020, Reznor and NIN were inducted into the [[Rock And Roll Hall Of Fame]]. Reznor had previously inducted The Cure, one of his influences.

In 2009 Reznor announced 2021, ''Soul'' repeated the end feat of Nine Inch Nails as a touring entity indefinitely''The Social Network'', citing a feeling of monotony earning Reznor and routine. Following Ross both the final Nine Inch Nails show in September of 2009, he stepped away from music Academy Award and Golden Globe for a little whilebest original score, emerging at the end of the year to announce that he was to begin work on some projects for 2010. In February 2010 and Reznor began work and Ross collaborated with Halsey on an EP for a new project called her fourth album, ''[[How To Destroy AngelsIf I Can't Have Love, I Want Power]], featuring himself, longtime collaborator ''. NIN embarked on a [[Atticus RossNIN 2022|tour]], and in 2022 to make up for [[Mariqueen MaandigCanceled Pandemic Dates|canceled tour dates]], a former singer from psychedelic band West Indian Girl2020 and 2021. How To Destroy Angels released their self-titled EP The aesthetic for free the tour was mainly a continuation of the Cold And Black And Infinite Tour. During this same time period, Reznor and Ross made appearances in various capacities on June 1albums by Danny Elfman, 2010Antonio Sanchez & Bad Hombre, with a physical release available on July 6, 2010and Fever Ray. That same yearScores for ''[[Bones and All (Original Score)|Bones and All]]'' and ''[[Empire of Light (Original Score)|Empire of Light]]'' were released in 2022, and scores for ''[[David FincherTeenage Mutant Ninja Turtles: Mutant Mayhem (Original Score)|Teenage Mutant Ninja Turtles: Mutant Mayhem]] asked Reznor '' and Ross to compose the score for his forthcoming film ''[[The Social Network SoundtrackKiller (Original Score)|The Social NetworkKiller]],'' documenting the rise of Facebook. The score, and the film, will be were released in late 20102023.

Today, Reznor is happier than he's ever been. He feels that he has found his calling in life and has found joy in creating music. Although he admits he could very easily relapse into his old ways, because he has been there, he has said he never wants to go back. He and his [[Mariqueen Maandig-Reznor|wife]] currently reside in Beverly Hills California with their son children and pet dogs.

*Appeared in the film '''Acting Role[[wp:Light Of Day|Light Of Day]]''': Played as a member of "The Problems" (played by Exotic BirdsReznor, Mark Addison, and Frank Vale) in [[wp:Light Of Day|Light Of Day]] [http://www.youtube.com/watch?v=gM0MmNjy97s] 

*''White Lies/Cry Like A Baby'', [[Slam Bamboo]] (keyboards); also provided keyboards on tour*''Communiqué,'' [[Lucky Pierre ]] (Saxophone and vocals, "Communiqué";" vocals, "I Need To Get To Know (Other People)")*''Exhibit C: Ohio's Undercurrent'', Cool Down Daddy (keyboards, "Sometimes She Smiles")*''Who's Lookin Back?'', Vincent Capretta (Engineer) ===1989===*''Conception'', Hot Tin Roof (Engineer) (keyboards, drum programming "Warm Jets", "Don't Let It Fade") *''Hanson: The Movie'', Hanson: The Movie (Engineer, additional programming)*''Son Of Slam'', Hanson: The Movie (Additional programming)*''Attitude'', Troop (Recording engineer, "That's My Attitude", "For You")*''Love Discovery'', S.W.A.M.M.P. Band (Engineer, credited as "Trent Retzner") 

*''Cautiøn Dø Nøt Play,'' Crunch-OØ-Matic (Album programming)*''Beers, Steers & Queers (Remixes)'', Revolting Cocks (credited as "additional cock" for "Stainless Steel Providers (live)" and "Public Image (live)")*Provided vocals and guitar on tour with Pigface*''Gub,'' [[Pigface]] (Loop programming; Loops, "The Bushmaster") (writing, vocals, "[[Suck]]")

*''Burn Like Brilliant Trash(At Jackie's Funeral),'' Machines of Loving Grace (remix, "Burnt Offering120 BPM", "Burn Like Brilliant Trash (Radio Edit)" and "Burn Like Brilliant Trash (Dub 120 BPM)")*''Foreclosure Of A DreamSymphony of Destruction,'' Megadeth (Remix, "Symphony Of Destruction (The Gristle Mix)(Edited and Extended)")*''Glitch'', Pigface (vocals, "Suck"live version)

*Unknown mix tape[[Untitled Mixtape]], Queen (Remix, "Tie Your Mother Down (Reznor Remix)")*''The Wooden Song,'' Butthole Surfers (Remix, "Who Was In My Room Last Night (Trent Reznor Remix)")

*''The Wooden Song,'' [[Butthole Surfers]] (Remix, "Who Was In My Room Last Night (Trent Reznor Remix)")*''Black Box—Wax Trax! Records: The First 13 Years'' (Vocals, "Supernaut (Trent Reznor Vocal Version)" for 1000 Homo DJs)*Promo for MTV Japan with [[Shinya Tsukamoto]] (Writing and performance) [httphttps://www.youtube.com/watch?v=fCHSn6QJ1tc Low quality videoYK5XgMjORHc Video] (Music written) 

*''PrickThe Heart's Filthy Lesson,'' [[PrickDavid Bowie]] (ProducerRemix, tracks 1, 3–5"The Heart's Filthy Lesson (Alt Mix)")

*''[[Antichrist Superstar]],'' Marilyn Manson (album programming; producer, tracks 1–2, 4–10, 12–16, 99; guitar, "Little Horn," "Mister Superstar," "Deformography";" mellotron, "Cryptorchid";" piano, "Man That You Fear")*''[[Lost Highway Soundtrack]]'' (Album producer; writing and performance, "[[Driver Down]]" and "[[Videodrones; Questions]];" saxophone, "Driver Down")

*''[[Lost Highway Soundtrack]]'' (Album producer; writing and performance, "[[Driver Down]]" and "[[Videodrones; Questions]]"; saxophone, "Driver Down")*''[[I'm Afraid Of Americans]],'' David Bowie (Remix, "I'm Afraid Of Americans (" V1, V2, V3, V4 and V6 Mixes);" vocals, "I'm Afraid Of Americans V1")

*''Voyeurs,'' 2wo (Album producer)*''Pleasant Smell,'' [[12 Rounds]] (Remix, "Pleasant Smell (Rethought by Trent Reznor, [[Keith Hillebrandt]], and [[Clint Mansell]]for the Nothing Collective)")There are two versions with the same title

===19992000===

===2000===*''Seven'' , David Bowie (Vocals, "I'm Afraid Of Americans V1" ) (Video, "I'm Afraid of Americans")*''Requiem for David Bowiea Dream'' (Music consultant) ===2001===*''Spin This'', N.E.R.D. (Remix, "Lapdance (Trent Reznor Remix)")*''Lapdance'', (Remix, promo) N.E.R.D. (Remix, "Lapdance (Trent Reznor Remix)") 

*''Spin ThisWorld Traveler Soundtrack'', (Composer,Piano)*'' N.E.R.D. Best of Bowie'', David Bowie (RemixVideo, "Lapdance (Trent Reznor Remix)I'm Afraid of Americans")

*''It DreamsMan on Fire'', [[Jakalope]] (Co-producerMusical consultant)

*''Born 4,'' [[Jakalope]] (Co-producer)*''Live At Metropol Pittsburgh PA 04/25/1991'', Pigface (Vocals, "Suck" live) (Guitar, "Tapeworm", "T.F.W.O." live)*''A Piano: The Collection'', Tori Amos (Vocals, "Past The Mission (Alternate Mix)")

*''I'll Sleep When You're Dead,'' [[EL-P|ElEL-P]] (Additional production and vocals, "Flyentology")*''Flyentology EP'', [[EL-P|EL-P]] (Additional production and vocals, "Flyentology", "Flyentology (Cassettes Won't Listen Remix)", "Flyentology (Instrumental)" and "Flyentology (Acapella)" *''You Know What You Did'', [[Queens Of The Stone Age]] (Vocals, "Era Vulgaris")*''Era Vulgaris,'' [[Queens Of The Stone Age]] (Vocals, "Era Vulgaris")—available for download, "Era Vulgaris (Richard File Remix)"*''The Inevitable Rise And Liberation Of NiggyTardust!,'' Saul Williams (Producer; music, tracks 1–2, 5–8, 11–15; programming, "[[Black History Month]]";" "[[Tr(n)igger]]";" "[[DNA]]";" vocals, "[[Break]]" and "[[WTF!]]";" arrangement, "[[Sunday Bloody Sunday]]") 

*''"C" Is For (Please Insert Sophomoric Genitalia Reference Here) E.P,.'' , [[Puscifer]] (Writing, "[[Potions (Deliverance Mix)]]")*''Shine On'', 12 Rounds (Additional programming, "Shine On") 

*''[[How To Destroy Angels (album)|How To Destroy Angels]]EP,'' [[How To Destroy Angels]]*''[[The Social Network Soundtrack|The Social Network]]'' soundtrackwith [[Atticus Ross]] (writing and performance) 

*''[[The Girl With The Dragon Tattoo Soundtrack]]'' with Atticus Ross (writing and performance)*"[[Immigrant Song]]" with Karen O and Atticus Ross (Performance, programming and production)*"[[Is Your Love Strong Enough?]]", How To Destroy Angels (Performance and production) ===2012===*''Destroyer 12"'', Telepathe (Remix, "Destroyer (Remix)")*''Call Of Duty: Black Ops II'' video game (Composer, [[Theme From Call Of Duty Black Ops II|theme song]])*''[[An Omen EP]]'', How To Destroy Angels ===2013===*''[[Welcome Oblivion (album)|Welcome Oblivion]]'', How To Destroy Angels*''Sound City: Real To Reel soundtrack'' (writing and performance, "[[Mantra]]"; with [[Dave Grohl]] and Josh Homme)*''...Like Clockwork'', Queens Of The Stone Age (vocals, "Kalopsia"; "Fairweather Friends") ===2014===*''[[Gone Girl With Soundtrack]]'' with Atticus Ross (Writing and performance) ===2016===*''[[Juno|Visions Of Harmony]]'', "Juno" with Atticus Ross (Writing and performance)*''[[Before The Dragon TattooFlood Soundtrack]]'' with Atticus Ross, Gustavo Santaolalla, Mogwai (Writing and performance; music supervisor) ===2017===*''[[Patriots Day Soundtrack]]'' soundtrackwith Atticus Ross (Writing and performance)*''[[The Black Ghiandola]]'' with Atticus Ross (Writing and performance)*''[[The Vietnam War Original Score]]'' with Atticus Ross (Writing and performance)*Multimedia project for Banksy (The Walled Off Hotel), "[[Green Lines]]" (with Atticus Ross)*''White Knight'', Todd Rundgren (Writing and performance, "Deaf Ears"; with Atticus Ross)*''I Got Your Back (DaM-Funk, Re-Freak)'', Todd Rundgren (Remix, "Deaf Ears (Nine Inch Nails Mix)")*"[[John Carpenter's Halloween]]" with Atticus Ross (Performance)*Appeared as a member of "The Nine Inch Nails" in an episode of ''Twin Peaks: The Return'' [http://www.youtube.com/watch?v=QczxCxFRUf0] ===2018===*''The Fourth Estate'' with Atticus Ross (Writing and performance, title sequence)*''[[Mid90s (Original Music From The Motion Picture)‎]]'' with Atticus Ross (Writing and performance) ===2019===*''[[Bird Box Original Score]]'' with Atticus Ross (Writing and performance)*''[[Watchmen (Music From The HBO Series)]]'' with Atticus Ross (Writing and performance)*''[[Waves (Original Score)]]'' with Atticus Ross (Writing and performance) ===2020===*''Hot Wet & Sassy'', Tobacco (appears on "Babysitter")*''[[Mank (Original Musical Score)]]'' with Atticus Ross (Writing and performance)*''[[Soul (Original Score)]]'' with Atticus Ross (Writing and performance) ===2021===*''[[Soul of the City]]'', with Atticus Ross (Writing and performance)*''22 vs. Earth'', with Atticus Ross (Writing and performance)*''True'', Danny Elfman (remix and featured performer, "True")*''[[If I Can't Have Love, I Want Power]]'', Halsey (Producer, writing, performance, engineering; with Atticus Ross) ===2022===*''Big Mess'' (Deluxe Box Set), Danny Elfman (featured performer, "Native Intelligence"; "True")*''Native Intelligence'', Danny Elfman (featured performer, "Native Intelligence")*''Shift (Bad Hombre Vol II)'', Antonio Sanchez & Bad Hombre (featured performer, "[[I Think We're Past That Now]]"; with Atticus Ross)*''[[Bones and All (Original Score)|Bones and All]]'', with Atticus Ross (Writing and performance)*''[[Empire of Light (Original Score)|Empire of Light]]'', with Atticus Ross (Writing and performance)*''Existential Reckoning: Rewired'', Puscifer (Remix, "Apocalyptical"; with Atticus Ross) ===2023===*''Radical Romantics'', Fever Ray (co-producer, "Even It Out" and "North"; with Atticus Ross)*Appeared in the music video for "Even It Out" by Fever Ray; with Atticus Ross*''[[Teenage Mutant Ninja Turtles: Mutant Mayhem (Original Score)|Teenage Mutant Ninja Turtles: Mutant Mayhem]]'', with Atticus Ross (Writing and performance)*''[[The Killer (Original Score)|The Killer]]'', with Atticus Ross (Writing and performance) ===2024===*''[[Challengers (Original Motion Picture Soundtrack)|Challengers]]'', with Atticus Ross (Writing and performance)

*[httphttps://nothing.nin.net/int2.html "Portrait Of A Nine Inch Nail," ''Alternative Press.'' July 1990]*[httphttps://membertwitter.com/treznordeleted Trent Reznor selected Twitter posts]*[https://open.ninspotify.com/user/treznor Trent Reznor's Spotify profile]*[https://view?user_id=109510 trent_reznorwww.threads.net/@treznor Trent Reznor's Threads profile] on *[[ninhttps://instagram.com]/treznor Trent Reznor's Instagram profile]*[httphttps://twitteritunes.apple.com/trent_reznor us/artist/trent-reznor/id2844131 Trent Reznor's Twitter Apple Music profile]*[https://trentreznor-atticusross.bandcamp.com/ Reznor & Ross on Bandcamp]