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'''''Recoiled''''' is a semi-official remix EP credited to [[Coil]] and [[Nine Inch Nails]]. It is the commercial and physical release of selected tracks from the ''Uncoiled'' download-only remix compilation. It was released on February 24, 2014 on Cold Spring Records and was made available on CD, vinyl, limited edition vinyl and digital formats.
The tracks were new remixes mixes re-created by Danny Hydefrom his original source material, though they were falsely advertised by Hyde as being initially believed to be outtakes from the original remix sessions by all members of Coil for ''[[Fixed]]'', ''[[Closer To God (halo)|Closer To God]]'' and ''[[Further Down The Spiral]]''.[https://www.youtube.com/watch?v=77irenJlxs0] ''Recoiled'' omits the tracks from ''Uncoiled'' that could be viewed as redundant and also adds an extra remix that was not included on ''Uncoiled''.
==Track Listing==
==''Uncoiled''==
[[Image:Uncoiled.jpg|thumb|200px|''Uncoiled'']]
'''''Uncoiled''''' is an unofficial download-only remix compilation made up of what new mixes re-created by Danny Hyde from his original source material, though they were initially believed to be outtakes from the original remix sessions by all members of Coil for ''Fixed'', ''Closer To God'' and ''Further Down The Spiral''. A selection of these tracks was later semi-officially released as ''Recoiled''.
Rumors of outtakes had been circulating since 1995 and in 2012, Hyde claimed to have stated that he had multiple tracks in his possession. Funds were then raised by members of the Echoing The Sound forum to acquire the tracks from Hyde and the collection was put up for free download in November 2012. It was later revealed by Hyde that he had falsely represented the provenance of the remixeswas not as initially understood, and that he had personally re-created them in response to being contacted by NIN fans.[https://www.youtube.com/watch?v=77irenJlxs0] The so-called outtakes that had been mentioned on the web since the 1990s most likely never existed.
===Track Listing===
<br><br>
Special thanks to Wizfan for getting the ball rolling, to David D. Yuhnke for chasing down all the other phantom NIN tracks, Marius Andrei Dima for coming up with photography in very short order, and Danny Hyde for making this possible.</blockquote>
In an interview with compulsiononline.com[http://www.compulsiononline.com/interview_dannyhyde.htm], Danny Hyde explained how the remixes for ''Uncoiled'' actually came into being:
<blockquote>These remixes are known as the "pre-big studio-mixdown" mixes, could you elaborate on what that means and how these differ to the final issued recordings?
<br>
They were known as the pre-big studio mixes because as I said before I've got a huge, huge book which I used to type out. Before computers and printers I used to do it on the word processor from my notepads of the sessions where I scribbled everything down. I would type these up and store them and when the Nine Inch Nails forum boys said they'd heard about these outtakes and things I went back to the DATs from those days and found the rough cuts I did at my house before the big expensive one thousand pounds a day studio. What we'd do is copy the multitracks to DAT so we could take the sounds home. At my home I had a DAT machine digitally linked up to the sequencer, so I could digitally transfer the samples or the SMPTE could control the sequencer that could fire samples all through the mixing desk. I'd do a rough outline of what was happening that day. Pete would come over and we'd discuss bits and bobs and he'd join and we'd do stuff. With 'Closer' we actually worked in synch, as Pete did the same at his house and did a load of sessions. This was before Skype so we'd phone each other up and play down the phone where we were at and we knew we were in the same tempo and we knew we were in the same key as we were working to the same samples. So we knew that when we synched them ours would run and we could whittle down what we didn't need and we could synch it to the multitrack and take from that what we needed. So the pre big mix studio sessions were effectively all the pre big studio runs of what we were doing at home in the little studio. You'd do a little mixdown to DAT for your records so when you got to the big studio you could play it, if someone said "what are you thinking?" But before you set up all the machines and fired it at them you could play them that if they wandered in. And those DATs and subsequent notes those DAT created I reran a load of the sections that we had created, and I reran them exactly as we had done them. And I record all the notes, the effects, the levels and everything. If I didn't have a certain section as the DAT had corrupted or whatever I reran them again and cut and pasted between the various versions. The pre-big studio versions is exactly what it says; it's the versions that were done at home before the multi thousand pound machines were allowed to do the final mix. The final mix being all of these samples and the multitrack running through a big SSL mixing desk mixed down again to half-inch tape and the half-inch tape is sent to the pressing plant and they cut the vinyl.</blockquote>
==External Links==