Changes

*'''[[Alessandro Cortini]]''': Keyboards, programming, guitar, percussion, backing vocals*'''[[Josh Eustis]]''': Bass, keyboards, guitar, percussion, backing vocals*'''[[Robin Finck]]''': Guitar, keyboards, percussion, backing vocals*'''[[Trent Reznor]]''': Vocals, guitar, keyboards, percussion*'''[[Ilan Rubin]]''': Drums, percussion, keyboards, guitar, cello, backing vocals

This tour leg utilized several mobile LED screens behind the band, which would supply lighting and also background footage during certain portions of the set. The production and lighting were again designed by [[Rob Sheridan]], Roy Bennett and Moment Factory, who also worked on the 2008 [[Lights In The Sky Tour]] and the [[How To Destroy Angels Live 2013]] tour. The production also made use of Kinect for interactive video manipulation. The band members arrived onstage at the beginning of the set one member at a time and their silhouettes were projected onto the background, which are references to Talking Heads' 1984 concert film, ''Stop Making Sense.'' [http://www.nytimes.com/2013/07/28/arts/music/nine-inch-nails-is-back-onstage-with-a-vengeance.html?pagewanted=all&_r=0] The silhouettes are also reminiscent of those at the beginning of shows on Depeche Mode's Devotional tour.

* "[[The Frail]]" / "[[The Wretched]]" or "[[Reptile]]" were sometimes included after "Piggy"."* "[[What If We Could?]]" was sometimes played in addition to or instead of "Find My Way"."

Setlists for the three non-festival dates were longer and also more varied since minimal production was used. Other songs played during these shows include (in order of commonality): "[[Somewhat Damaged]]"," "[[The Beginning Of The End]]"," "[[I'm Afraid Of Americans]]"," "[[The Good Soldier]]"," "[[Pinion]]"," "[[Dead Souls]]"," "[[La Mer]]"," "[[The Day The World Went Away (song)|The Day The World Went Away]]"," and "[[The Line Begins To Blur]]"."