Changes

| album = ''[[The Downward Spiral (halo)|The Downward Spiral]]''

| live = 1994 [[Self- 2007Destruct Tour]] through present}}<br><br> 

'''''Closer''''' is the fifth track on the 1994 release "[[The Downward Spiral]]." It begins with an electronic beat that is reminiscent of a heartbeat for eight bars. A keyboard pattern and stxteenth-note beat join in along with the vocals. Layers are continuously added before dropping out at the end, leaving a simple chromatic piano melody to end the song.

Several remixes of "===Closer" have been made. These appear ===This is the original album version, found on [[Closer To God (halo)|both ''The Downward Spiral'' and ''Closer To God]].'' 

===Other Remixes===*Closer (Deviation)===*Closer (Internal)*Closer (Further Away)Coming soon.

==The Video=Closer (Internal)===in April 1994, a video for "Closer" was filmed. It was directed by Mark Romanek, who also directed "The Perfect Drug" in 1997 and Johnny Cash's cover of "Hurt" in 2003. The concept to the video is that it's an old stag reel recently uncovered. The aesthetic, atmosphere, and images in the video were inspired by the works of Man Ray, Francis Bacon, and, most notably, Joel-Peter Witkin. It was filmed using three-color film and hand-cranked cameras, to make it look much older. Additionally, there were more modern devices included in the video, such as a televisionComing soon.

Romanek has said that Trent Reznor was pretty much tortured throughout the shoot, yet he never once complained. Reznor seemed to know that what they were making would be phenominal and would push the proverbial envelope of the music video format===Closer (Further Away)===Coming soon.

==Music Video==in April 1994, a video for "Closer" was filmed. It was directed by [[Mark Romanek]], who also directed "[[The Perfect Drug]]" in 1997 and [[Johnny Cash]]'s cover of "[[Hurt]]" in 2003. The concept to the video is that it's an old stag reel recently uncovered. The aesthetic, atmosphere, and images in the video were inspired by the works of Man Ray, Francis Bacon, and, most notably, Joel-Peter Witkin. It was filmed using three-color film and hand-cranked cameras, to make it look much older. Additionally, there were more modern devices included in the video, such as a television. Romanek has said that Reznor was pretty much tortured throughout the shoot, yet he never once complained. Reznor seemed to know that what they were making would be phenominal and would push the proverbial envelope of the music video format. Initially, there was a plan to film two versions of the video: an uncensored director's cut, and an edited version for MTV. This idea would save money on editing because of the costs of editing the film that was used. Reznor objected to shooting a censored version, stating that he didn't care whether or not MTV would show the video. MTV would show the video, but not before edits were made. The network censors objected to religious imagery they felt was blasphemous (a crucified monkey and a crucifix on a nude woman's mask), too risqué (Reznor gagged in front of a wall covered with sado-masochistic paraphernalia and writing from a chain while blindfolded), or too overtly sexual in nature (the nude woman and a diagram of a vulva). Ultimately, the video was edited for MTV, with offending images either blurred or blacked out, zoomed in to avoid objectionable content, or replaced by a screen reading SCENE MISSING. Some innuendo did make it past the censors, such as the shape of the microphone in some scenes, and what the hanging beef carcass appeared to resemble in addition to wings. Despite the heavy editing on MTV, "Closer" would go on to become one of the network's most popular videos in 1994 and 1995. The uncensored director's cut can be seen on the ''Closure '' video.