The Space In Between
The Space In Between (Instrumental)
Between The Spaces
"The Space In Between" is a song by How To Destroy Angels, and the second single from their eponymous EP.
Contents
Song Credits
Label: The Null Corporation
Release
Since the band's inception, they had tweeted cryptic images, varying from smashed glass to flowers. The pictures culminated in an image of fire followed by the band tweeting that something would be there in "a few minutes" on May 14th 2010.
About 2 hours later, the video for "The Space In Between" was released via Pichfork Media. The following day, the band updated their website, YouTube and Vimeo profiles with a hi-definition (480p, 780p and 1080p) version of the video.
A week later, the band released the multitracks for "The Space In Between", along with the previous release "A Drowning", on remix.nin.com.
The guitar performance in this song was also featured prominently in an early teaser video which can be found here.
Appearances
- How To Destroy Angels
Versions
The Space In Between
This is the album and video version. After opening with a looped drumbeat, ambient and delayed guitars enter, followed by a deep synth strings bassline and Mariqueen's softly-sung verse. The chorus features more guitars layered on top of the differing bassline and harmonized vocals, followed by a second verse characterized by echoing Swarmatron manipulations. Even more guitars enter for the final chorus, which builds its harmonies as it repeats twice, matching the building layers of guitars. The entirety of the song cuts off suddenly at the end of the second chorus repetition.
The Space In Between (Instrumental)
From a CD-R promo of the EP, released by The Null Corporation.
Between The Spaces
This is a remix version by Alessandro Cortini (as SONOIO). It was released via HTDA's SoundCloud account and was performed live by HTDA on their debut tour.
Video
Warning:Spoilers
The video, directed by Rupert Sanders (who is primarily known for creating video game advertisements) is set in a hotel room, and opens to the corridor outside. It cuts to a shot of an ajar door, and of an over-running sink, to show that something surprised the room. Once the vocals come in, we are given a shot of a recently-murdered (albeit singing) Bride (Mariqueen Reznor) sitting against a bed, surrounded with blood. Following close up shots show that a struggle had occurred, and show a long-burning candle near a stack of papers. A shot of another, unmoving, dead body, that of the Groom (Trent Reznor) in a pool of his own blood.
We are then shown a woman (Molly McDowell) speaking on the phone, and a man (Atticus Ross) watching motorbike racing on the hotel's television. The air are totally oblivious to the scene beside them despite the carnage. The video shows the weapons beside both the Bride and the Groom (a glass and knife respectively), to convey to the viewer that they killed each other. The video cuts to show the candle has ignited the stack of papers, and gives us the close up of the murdered man's face.
The remainder of the video shows the spread of the fire engulfing the corpses and their half of the room, and the apparent nonchalance of the supposed murderers. The video also reveals that there is apparently another man in the bathroom, but only his feet and hands are ever seen. The video cuts out abruptly as the Bride and Groom are totally consumed by the fire.
Director Rupert Sanders has said that this video is a metaphor for how neglect can allow love to die, symbolised by the self destruction of the married couple, totally ignored by the pair opposite. The video can also be seen as a partial rebuke towards much of the negative response that Mariqueen and Trent Reznor received after their engagement was made public, a reminder that everyone is human and that everyone can be hurt.
Screenshots
Making of
HTDA uploaded images of the "making of" process to the video, showing the use of mannequins and fire placement to bring the video to life.
A prop hotel room was built specifically for the shoot, so it could be burned down.
Pouring fake blood on Trent.
A small fire was used for foreground and reflective purposes on the close-ups of Trent.
The footage of Mariqueen and Trent was digitally composited with footage of these mannequin stand-ins burning.
Lighting the bed on fire.
Extinguishing the fire to do another take.
Mannequin Trent burning.
The whole room was eventually burned down. A composite of Mariqueen singing and additional digital fire effects were added for the final shot. To add gruesome detail to the shots of Mariqueen burning, effects artists composited in images of charred flesh, diseased skin, and even chicken meat
Video Credits
- Director: Rupert Sanders
- Executive Producer: David Zander
- Executive Producer: Eric Stern
- Line Producer: Laurie Boccaccio
- Associate Producer: Adriana Cebada Mora
- Assistant Art Director: Jame LaRocca
- Assistant Art Director: Kelly Flynn
- Assistant Art Director: Kate Greenberg
- Production Coordinator: Courtney Nolan
- Director of Photography: Greig Fraser
- Gaffer: John Vecchio
- Key Grip: Brad Boyer
- Production Designer: James Chinlund
- Set Designer: James Chinlund
- Art Director: Taylor Williams
- Special Effects: Jeremy Hayes
- Post Production: The Mill
- Executive Producer: Sue Troyan
- Post Production Producer: Arielle Davis
- Post Production Supervisor: Cedric Nicolas Troyan
- Flame Supervisor: Phil Crowe
- Flame Artist: Andy Bate
- Flame Artist: Gareth Parr
- Editor: Neil Smith
- Producer: Jane Dilworth
- Editor: Patrick Murphee
- Executive Producer: David Glean
- Film Transfer: Shane Harris
- Producer: Taryn Mackprang
- Head of Post Production: Thatcher Peterson
Images
The band slowly released cryptic images via their twitter account, which culminated in the release of the video for "The Space In Between", the images being revealed to be shots taken from the video's set.
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Lyrics
All our blood lying on the floor Sense the crowd expecting something more. Opened up, proudly on display, What we try so hard to hide away Blinding light illuminates the scene Try to fill the spaces in between Arms entwined in our final pose Narrative drawing to a close Still remain the things we couldn't kill In your eyes I can see it still How we choose the framing of the scene Hate begins to spill across the screen Blinding light illuminates the scene Try to fill the spaces in between
External Links
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