Eraser (Instrumental)
Eraser (Denial; Realization)
Eraser (Polite)
Erased, Over, Out
Eraser (Reduction)
Eraser (Baby Alarm Remix)
Eraser (Dissonance)
Eraser (Closure)
Eraser (Beside You In Time)
"Eraser" is the eleventh track on the 1994 release The Downward Spiral.
Song Credits
- Production: Flood and Trent Reznor
- Mixing engineer: Alan Moulder
Appearances
Halos
- The Downward Spiral
- Further Down The Spiral
- Closure
- Beside You In Time
Versions
Eraser
This is the original album version. It consists of a 6/4 instrumental ostinato that builds up from the odd sounds of humming and "erasers" at the beginning through heavy rhythmic drumming and very oddly tuned, distorted guitars before dropping out to the 4/4 vocal area, which gets progressively louder until Trent Reznor yells "Kill Me!" It then completely degenerates into noise and cuts off with only the fading out of the string synthesizer. The beginning crossfades from the end of "A Warm Place" and its ending crossfades with the introduction of "Reptile."
Eraser (Instrumental)
Released by Reznor via his remix.nin.com account, this version is identical to the album version, save the lack of vocals and transitions to other songs.
Eraser (Denial; Realization)
This remix contains a sample of the lyric "erase me" slowed down and repeats the phrase "kill me" throughout.
Song Credits
Remixed by Danny Hyde, Drew McDowall, John Balance, Peter Christopherson
Eraser (Polite)
This remix is very soothing yet still retains the darkness of the original. The first eight lines of the lyrics are repeated three times in the entire piece, but the lyric "fuck you" is the seventh line rather than the fifth.
Song Credits
Remixed by Danny Hyde, Drew McDowall, John Balance, Peter Christopherson
Erased, Over, Out
This remix consists of the lyric "erase me" slowed down and repeated eight times in the entire piece, surrounded by piercing and mechanical synthesizer and sample manipulations.
Song Credits
Remixed by Danny Hyde, Drew McDowall, John Balance, Peter Christopherson
Eraser (Reduction)
Released on the semi-official Recoiled EP. A variation on Coil's "Erased, Over, Out" mix.
Eraser (Baby Alarm Remix)
Released on the semi-official Recoiled EP. Another variation on Coil's "Erased, Over, Out" mix.
Eraser (Dissonance)
This version of "Eraser," often referred to as "Erasure" on bootlegs, was only played during the Dissonance Tour. Beginning with a new drum loop and the humming/straw sounds, it builds with the same guitar parts as the album version. The atmosphere builds until approximately the middle of the song, where the lead guitar switches from the main melody and into a version of the "The Downward Spiral"-motif played by Reznor, which builds in volume into a distorted, start/stop climax and a final power chord left ringing. The variation of the motif found here is much shorter and played as follows, with variations that bend the notes similar to the song's regular guitar melody:
Eraser (Closure)
This live version keeps close to the album version, and was recorded during the same filming as the "Hurt" and "Wish" live music videos.
Eraser (Beside You In Time)
This live version appears on the Beside You In Time DVD. A screen is dropped in front of the stage as images of animals hunting prey, war, and bacteria are projected.
Music Video
A music video directed by Simon Maxwell was included on Closure. It's a live performance filmed in early 1995. A screen is dropped down in front of the stage as footage of the Devil's Tower in Wyoming and other locations is shown as the song builds. The band is seen behind the screen, starting with guitarist Robin Finck sitting near the drum risers and Reznor playing guitar at the center of the stage. The light focuses more on him as the vocals begin. By the time it gets to the screaming finale, the footage consists of nuclear explosions, with the detonations timed with the song itself. The footage used for this (as well as the live videos for "Hurt" and "Wish") was shot in Dallas, Texas and Omaha, Nebraska in February of 1995.
Credits
- Director: Simon Maxwell
- Producer: Maryann Waldoff, Adam Stern, Laurence Novich
- Cameraman: Crescenzo Notarile
- Editor: Simon Maxwell
- Executive Producer of live shoot: Cordelia Plunket
Live
Often played with screen projections of some sort. During the Self Destruct Tour, these projections were of desert landscapes and microscopic "chaos". During the Live: With Teeth tours, these screens progressed from peaceful images of lush meadows and flowers to violent and disturbing images of war. During the European leg of the Performance 2007 tour, no projection was used during the performance. However, small lamps would float directly above each band member and sway back and forth.
Lyrics
Need you Dream you Find you Taste you Fuck you Use you Scar you Break you Lose me Hate me Smash me Erase me
The actual recording adds the following line that does not appear in the liner notes:
Kill me
External Links
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