Richard Patrick (born May 10, 1968) is a former guitarist for Nine Inch Nails and leader of the band Filter. He has played the guitar since the age of nine and names The Cure, U2, and Stone Temple Pilots as primary musical influences, specifically the inventive use of technology and flood sounds used by those artists. His actor brother, Robert Patrick, was often seen wearing NIN shirts and pins while Richard was a member, as evidenced by his headshots from the time. This can also be seen on the behind-the-scenes footage for Terminator 2: Judgment Day.
According to the biography on the official Filter website, Patrick was nicknamed "Piggy" during his time with Nine Inch Nails. According to Brian Liesegang, Trent Reznor was very upset when Patrick left the band and wrote the song "Piggy" about it shortly thereafter. The Filter track "Captain Bligh" was originally rumored to be about Reznor, but Patrick has since debunked this. Though their relationship was semi-acrimonious in the past, Reznor and Patrick are on good terms.
Patrick made a live guest appearance with NIN in 1996 for one date of the Nights Of Nothing Tour. He (along with Danny Lohner, Charlie Clouser and Chris Vrenna) also joined NIN onstage for six songs at the Cleveland show of the NIN 2022 tour, one of the songs being a cover of Filter's "Hey Man Nice Shot".
Patrick has stated that he began working on his own music, and attempted to secure a record deal, during the 80s. He briefly met Reznor in Cleveland in 1985 when his band, The Akt, was invited to open for the Exotic Birds. They later met again at Pi Keyboards and Audio, where Reznor worked.  He was then briefly in a band called Kollaps, prior to NIN, which also included Reznor. After The Akt disbanded in 1989, Reznor asked him to listen to some of the songs he'd recorded including "Head Like A Hole" and "Down In It" and asked him to become the touring guitarist in NIN, which he did for two and half years.  He can be seen in the music videos for "Down In It," "Head Like A Hole," "Wish," and "Gave Up." His only recorded contribution—a droning guitar sound—can be heard at the end of "Sanctified" on Pretty Hate Machine. He chose to leave the band during the recording of The Downward Spiral in 1993 due in part to Reznor not allowing him any creative input or musical contributions, as well as often taking a lot of onstage physical abuse from Reznor.
Patrick went on to form his own industrial rock band, Filter, with fellow NIN collaborator Brian Liesegang, though Liesegang left in 1997. He was later considered by Trent Reznor to contribute to the Tapeworm project. In 2005 Patrick also formed the band Army of Anyone with the DeLeo brothers of Stone Temple Pilots and in late 2006 the band released their eponymous album. The band split a year later and Patrick returned to Filter, who continued releasing albums. Brian Liesegang rejoined Filter in 2018 and, utilizing the PledgeMusic platform, the pair began working on a musical sequel to Short Bus entitled reBus. This was shelved in the wake of the PledgeMusic bankruptcy, Liesegang left Filter, and Patrick stated that he was working on another new Filter album. It was eventually released as The Algorithm and contained two songs written with Liesegang.
Since 2016, Patrick has been composing film scores alongside his work for Filter. His credits include Dark Crimes (2016), The Last Rampage (2017), Breathe, Nolan, Breathe (2019), The 2nd (2020), and Chariot (2022). In 2022, Patrick began a side project with Jim Louvau called A Place To Kill.
Exit from NIN
In a 1994 interview with Alternative Press, Reznor spoke about Patrick's exit from the band:
Rich was working on a lot of his own stuff right at the time I was doing Broken. I encouraged him to do that, and I asked him if he wanted an objective opinion good or bad, let me know. He felt that he had to express himself, understandably, and I encouraged him. During the course of separation I think he'd been around a lot of people with ulterior motives, including the guys that were playing with him. What's in it for them if Rich goes out on the road with me for a year? I noticed a great sense of animosity and competition.
At that same time, I was reaching out to my band for input. I called up Rich and he was working on his project but he was like, "Okay, I'll come out." He had been out here for a month and had never asked to hear a demo of the songs! I'm hurt, and I'm kind of insulted. Okay, everybody wanted to be part of this project and my goal is to make it more of a band thing. But I'm not going to beg for someone to help me. Then find out he has a manager and he's shopping for a deal. When confronted and his bluff was called, he admitted to it. We're friends, man, I wouldn't have minded if you just told me, I'm trying to do what you wanted to do but there's more to being in the band than, here's your itinerary, here's your check, be on the bus next week.
I have no problems with him. He's a great performer, he looks good onstage, and he worked well. Musically, it's not hard to replace him. But as a personality who brewed in the stew of four guys on the bus, he was my best friend. Somehow in the course of last year, he's gone from being my best friend to somebody who hates my guts because somehow I stopped him from realizing his potential as a singer/songwriter when all I've done is give him a salary to live off of for the last few years, and encouraged him to do it. I wish him all the best, but all I want to know is, "Why did you do it that way?"
In a 1995 interview with Alternative Press, Patrick spoke about his exit:
I hated the frustration involved with being in that band. I was talking to [MTV VJ] Kennedy after I left, and she's like, "Well, you know a lot of people are saying good things about your demo." And I'm like, "Yeah, like who?" "Trent." Trent was always supportive. I think it was being caught in the machine of Nine Inch Nails that broke me down.
It wasn't Trent, it wasn't John. It was me saying, "I don't know if I can be a hired gun anymore." I wanted to be creative, and Trent extended his hand and said, "Come on." I'd be with him and we'd try to write. I'd look into his eyes and it was like, "I don't know where you are going, I don't know what I want." He knew it, I knew it and we still said that we gotta try harder, but it wasn't gonna happen. I had my way of being creative on my own and I did it with Short Bus. And he has a way all of his own.
It was a frustrating thing for me. I didn't know what I was mad at. I didn't know why it was hard for me to be in that band. I realized that it couldn't go on. I couldn't go on the road and be the guitar player that couldn't write what he plays. It was frustrating because I had to come to that realization. Even though Trent really did try to work it out with me, I couldn't even face him anymore. It was one of the most difficult times in my life.
Body Of Work
Nine Inch Nails
- Pretty Hate Machine (Droning guitar, "Sanctified"; 1989)
- Short Bus (1995)
- Title Of Record (1999)
- The Amalgamut (2002)
- Anthems for the Damned (2008)
- The Trouble with Angels (2010)
- The Sun Comes Out Tonight (2013)
- Crazy Eyes (2016)
- The Algorithm (2023)
Army Of Anyone
- Army Of Anyone (2006)